Black Hauntologies is the second volume of a three-volume study of African-American literary history, with special attention to the internal dialogues regarding concepts of "tradition," haunting, trauma, and re-vision. Texts studied extend from slave narratives to contemporary works, including both canonical and lesser-known instances of African-American expression.
Black Hauntologies is the second volume of a three-volume study of African-American literary history, with special attention to the internal dialogues regarding concepts of "tradition," haunting, trauma, and re-vision. Texts studied extend from slave narratives to contemporary works, including both canonical and lesser-known instances of African-American expression.
Kimberly W. Benston is Francis B. Gummere Professor of English and Africana Studies at Haverford College, where he has also served as Provost and President.
Inhaltsangabe
Volume I: Black Configurations: The Ethos of "Tradition" from Sterling Brown to Toni Morrison- Introduction: The Conceit of Tradition Sterling Brown: Tradition as Vernacular "Lie" Zora Neale Hurston: Tradition as Scene of Instruction Ralph Ellison: Tradition as Tragicomic Encounter Amiri Baraka Tradition as the Changing Same Larry Neal: Tradition as Kuntu Montage Michael Harper: Tradition as Modal Improvisation Toni Morrison: Tradition as Traumatic Re-Memory Volume II: Black Hauntologies: Slavery, Modernity, and Spectral Re-Vision-Introduction: Haints of the Past Spectral (Re)Origination: Modernity, Slavery, and Traumatic Enuncation Spectral Revolution: Slavery, Modernity, and the Politics of Conversation Spectral (Re)Vision: Photography, Archive, and Transgressive Illumination Conclusion: Ghosts of the Future Volume III: Black Refigurations: Facing, Naming, and Voicing-Pre-Face: Entering the Master's Book (E)Facing: Topographical Visions (Un)Naming: Transgressive Revisions (Re)Voicing: Transformative Beginnings Post-Script: Beyond the Copy-Book.
Volume I: Black Configurations: The Ethos of "Tradition" from Sterling Brown to Toni Morrison- Introduction: The Conceit of Tradition Sterling Brown: Tradition as Vernacular "Lie" Zora Neale Hurston: Tradition as Scene of Instruction Ralph Ellison: Tradition as Tragicomic Encounter Amiri Baraka Tradition as the Changing Same Larry Neal: Tradition as Kuntu Montage Michael Harper: Tradition as Modal Improvisation Toni Morrison: Tradition as Traumatic Re-Memory Volume II: Black Hauntologies: Slavery, Modernity, and Spectral Re-Vision-Introduction: Haints of the Past Spectral (Re)Origination: Modernity, Slavery, and Traumatic Enuncation Spectral Revolution: Slavery, Modernity, and the Politics of Conversation Spectral (Re)Vision: Photography, Archive, and Transgressive Illumination Conclusion: Ghosts of the Future Volume III: Black Refigurations: Facing, Naming, and Voicing-Pre-Face: Entering the Master's Book (E)Facing: Topographical Visions (Un)Naming: Transgressive Revisions (Re)Voicing: Transformative Beginnings Post-Script: Beyond the Copy-Book.
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