By analyzing the scrapbooks of Sylvester Long Lance, oral histories from Black Americans enslaved by American Indians, music of Jimi Hendrix, photos of contemporary Black Indians, and performances of former Miss Navajo Radmilla Cody, Cannon shows how Afro-Native people unsettle biological, political, and cultural metrics of racial authenticity.
By analyzing the scrapbooks of Sylvester Long Lance, oral histories from Black Americans enslaved by American Indians, music of Jimi Hendrix, photos of contemporary Black Indians, and performances of former Miss Navajo Radmilla Cody, Cannon shows how Afro-Native people unsettle biological, political, and cultural metrics of racial authenticity.
List of Figures Acknowledgments Introduction: Authenticating Narratives Chapter 1: Rogue Self-Inscription: The Scrapbooks of Long Lance Chapter 2: Navigating and Reshaping Authenticity: WPA Black Indian Slave Narratives Chapter 3: Red, Black, and Blue: Jimi Hendrix's Musical Self-Expression Chapter 4: Shooting Lives: Black Indians as Photographers and Subjects Chapter 5: Performing Race, Nation, and Self: The Life and Work of Radmilla Cody Coda: "Too Many Masters to Serve" Bibliography Index About the Author
List of Figures Acknowledgments Introduction: Authenticating Narratives Chapter 1: Rogue Self-Inscription: The Scrapbooks of Long Lance Chapter 2: Navigating and Reshaping Authenticity: WPA Black Indian Slave Narratives Chapter 3: Red, Black, and Blue: Jimi Hendrix's Musical Self-Expression Chapter 4: Shooting Lives: Black Indians as Photographers and Subjects Chapter 5: Performing Race, Nation, and Self: The Life and Work of Radmilla Cody Coda: "Too Many Masters to Serve" Bibliography Index About the Author
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