In a satiric romp originally written during the Harlem Renaissance, Max Disher, a dapper black man, undergoes a scientific process that transforms him into Matthew Fisher, a white man, who becomes a leader of a white supremacist group. Reprint. 12,500 first printing.
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A liberating and lacerating critique of American racial madness, capitalism, and white superiority . . . Black No More resists the push toward preaching and the urge toward looking backward into history. Afrofuturist before such a term existed, it insists, instead, on peering forward into what could come to be. The New York Review of Books