Black No More - Schuyler, George S
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First published in 1931, "Black No More" is a clever and important satirical novel by George S. Schuyler which was written during the creative time of the Harlem Renaissance. This humorous and insightful work explores what would happen if blackness could be erased and black people could choose to become white. The novel begins with the central character Max Disher, a young, intelligent and ambitious black man, finding himself lonely and rejected on New Year's Eve at a speakeasy in Harlem. He hears about a new scientific procedure called "Black-No-More" that can change black skin to white. Max…mehr

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Produktbeschreibung
First published in 1931, "Black No More" is a clever and important satirical novel by George S. Schuyler which was written during the creative time of the Harlem Renaissance. This humorous and insightful work explores what would happen if blackness could be erased and black people could choose to become white. The novel begins with the central character Max Disher, a young, intelligent and ambitious black man, finding himself lonely and rejected on New Year's Eve at a speakeasy in Harlem. He hears about a new scientific procedure called "Black-No-More" that can change black skin to white. Max decides to undergo the transformation and changes his name to Matthew Fisher. Life is not as easy as he has imagined it will be. He ends up joining a white supremacist organization and must continue to hide his true identity in a new and dangerous world. Schuyler's novel was far ahead of its time and tackled racial issues that continue to plague the modern world. The novel's cutting social commentary, disguised with humor and satire, criticizes both the politics of black empowerment, white nationalism, and bigotry. "Black No More" continues to be as entertaining and thought-provoking today as when it was first written.
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Autorenporträt
George S. Schuyler (1895 - 1977) was an author, journalist, social commentator and somewhat controversial figure. Born in Providence, Rhode Island, Schuyler's formative years were shaped by his time in the U.S. military. Enlisting at age 17, Schuyler rose to the title of First Lieutenant before going AWOL due to a racist encounter with a Greek immigrant. Sentenced to five years for the abandonment, Schulyer was released after less than a year for being a model prisoner. In the aftermath of his release, he lived at the Phillis Wheatley Hotel in New York City, coming to learn the teachings of Black nationalist, Marcus Garvey. Not fully convinced of Garvey's teachings, Schuyler would separate himself from both Garveyism and socialism, contributing articles to the American Mercury and embracing capitalism. Embarking on a career in journalism, Schuyler would find success and acknowledgement for his editorial skills as he took on the role of Chief Editorial Writer at the Courier in 1926. That same year he would pen a controversial piece, "The Negro-Art Hokum" for The Nation which-combined with his advocacy for capitalism-further alienated himself from his contemporaries. The article, which argued that art should not be segregated by race and that Black artist had no true style of their own, would inspire Langston Hughes' famous, "The Negro and The Racial Mountain." Five years after this, Schuyler would try his hand at a long fiction form, producing notable novels such as Slaves Today (1931), Black No More (1931), and Black Empire (1936 - 1938); and while Schuyler would continue to produce work up until the point of his death, it was his public and expilicit conservatism and opposition to the Civil Rights Movement of the 1960s-70s that would push both he and his literary work into obscurity. At the time of his death, his legacy and talent as a writer were so overshadowed by his politics that no one within Black circles wanted to interact with his work at all. Despite this, Schuyler produced some of the first satires by a Black writer and addressed intra-community issues at a time when most Black authors appealed solely to the middle-class.