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"In 'Black paper,' Teju Cole meditates on what it means to keep our humanity--and witness the humanity of others--in a time of darkness. 'Darkness,' Cole writes, 'is not empty.' Through art, politics, travel, and memoir, he returns us to the wisdom latent in shadows, and sets the darkness echoing. The opening essay sets the mood for the book, as Cole travels to southern Italy and Sicily to view a series of Caravaggio paintings. He ponders the suffering that Caravaggio ('a murderer, a slaveholder, a terror, and a pest') both dealt out and experienced, and the disquieting echoes of that…mehr

Produktbeschreibung
"In 'Black paper,' Teju Cole meditates on what it means to keep our humanity--and witness the humanity of others--in a time of darkness. 'Darkness,' Cole writes, 'is not empty.' Through art, politics, travel, and memoir, he returns us to the wisdom latent in shadows, and sets the darkness echoing. The opening essay sets the mood for the book, as Cole travels to southern Italy and Sicily to view a series of Caravaggio paintings. He ponders the suffering that Caravaggio ('a murderer, a slaveholder, a terror, and a pest') both dealt out and experienced, and the disquieting echoes of that suffering in the abandoned boats of migrants arriving on nearby shores. This collection also gathers several of Cole's recent columns on photography for the New York Times Magazine and offers a suite of elegies to lost friends who show him--and us--ways of mourning in times of death"
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Autorenporträt
Teju Cole is a novelist, photographer, critic, curator, and the author of seven books, which include Open City, Blind Spot, and Golden Apple of the Sun. He was the photography critic of the New York Times Magazine from 2015 until 2019. A 2018 Guggenheim Fellow, he is currently the Gore Vidal Professor of the Practice of Creative Writing at Harvard.