Establishing an imaginative space for blackness, four mid-century American writers resist literary segregationHinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Eve Dunbar is Associate Professor of English at Vassar College.
Inhaltsangabe
Preface Acknowledgments Introduction 1 Becoming American through Ethnographic Writing: Zora Neale Hurston and the Performance of Ethnography 2 Escape through Ethnography: Literary Regionalism and the Image of Nonracial Alignment in Richard Wright’s Travel Writing 3 Deconstructing the Romance of Ethnography: Queering Knowledge in James Baldwin’s Another Country 4 Ethnography of the Absurd: Chester Himes’s Detective Fiction and Counterimages of Black Life Conclusion: Look Down! The Black Arts Affirmation of Place and the Refusal to Translate Notes Bibliography Index
Preface Acknowledgments Introduction 1 Becoming American through Ethnographic Writing: Zora Neale Hurston and the Performance of Ethnography 2 Escape through Ethnography: Literary Regionalism and the Image of Nonracial Alignment in Richard Wright’s Travel Writing 3 Deconstructing the Romance of Ethnography: Queering Knowledge in James Baldwin’s Another Country 4 Ethnography of the Absurd: Chester Himes’s Detective Fiction and Counterimages of Black Life Conclusion: Look Down! The Black Arts Affirmation of Place and the Refusal to Translate Notes Bibliography Index
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