Tanya Shilina-Conte

Black Screens, White Frames

Gilles Deleuze and the Filmmaking Machine

• Broschiertes Buch

Produktbeschreibung

Black Screens, White Frames offers a new understanding of cinematic blankness. Drawing on Gilles Deleuze's philosophy and pursuing an affirmative approach to non-images through the concept of the filmmaking machine, Tanya Shilina-Conte shows how absence as a productive mode alters the ways in which we study film.

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Produktdetails

• Verlag: Oxford University Press
• Seitenzahl: 328
• Erscheinungstermin: 22. November 2024
• Englisch
• Abmessung: 235mm x 157mm x 18mm
• Gewicht: 458g
• ISBN-13: 9780197511336
• ISBN-10: 0197511333
• Artikelnr.: 71160463

Autorenporträt

Tanya Shilina-Conte is Assistant Professor of Global Film Studies in the Department of English, University at Buffalo. Her essays have appeared in Screen, Film-Philosophy, Frames Cinema Journal, Word & Image, Studia Phænomenologica, In Media Res, Iran Namag, Leitura: Teoria & Prática, Studia Linguistica, Border Visions: Identity and Diaspora in Film, and elsewhere.

Inhaltsangabe

* Acknowledgments
*
* Fade-In: Introduction. The Filmmaking Machine, or Thirteen Ways of
Looking at the Black or White Screen
* Chapter 1. Divergent Darkness: The Black Screen in Early Cinema
* Chapter 2. Convergent Codes: Fade-ins and Fade-outs as Rational
Transitions in Classical Cinema
* Chapter 3. The Black or White Screen as a Tool of
Deterritorialization in Modern and Experimental Cinema
* Chapter 4. One Chapter Less: The Black or White Screen in Minor
Cinema
* Chapter 5. Folds to Black or White in Minor Cinema and Art Practice
* Chapter 6. Alternate Endings: The Black or White Screen in
Post-Cinema
* Fade-Out: Conclusion. This Video Does Not Exist: The Remix of Black
or White Screens and Multimodal Scholarship
* Notes
* Index