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Black Screens, White Frames offers a new understanding of blank screens in cinema. Drawing on Gilles Deleuze's film philosophy and pursuing an affirmative approach to non-images through the concept of the filmmaking machine, author Tanya Shilina-Conte shows how absence can be a productive mode that alters the way we study film.

Produktbeschreibung
Black Screens, White Frames offers a new understanding of blank screens in cinema. Drawing on Gilles Deleuze's film philosophy and pursuing an affirmative approach to non-images through the concept of the filmmaking machine, author Tanya Shilina-Conte shows how absence can be a productive mode that alters the way we study film.
Autorenporträt
Tanya Shilina-Conte is Assistant Professor of Global Film Studies in the Department of English, University at Buffalo. Her essays have appeared in Screen, Film-Philosophy, Frames Cinema Journal, Word & Image, Studia Phænomenologica, In Media Res, Iran Namag, Leitura: Teoria & Prática, Studia Linguistica, Border Visions: Identity and Diaspora in Film, and elsewhere.