Blake in Our Time explores the work of British poet and artist William Blake in the context of the material culture of his era.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Introduction: Blake in Our Time - Minute Particulars by Karen Mulhallen (University of Toronto/Ryerson University/York University) PART 1: "Every Minute Particular is Holy": Materials 1. Collecting Blake by Robert N. Essick (University of California, Riverside) 2. Two Fake Blakes Revisited; One Dew-Smith Revealed by Joseph Viscomi (University of North Carolina at Chapel Hill) 3. Blake's Painting Materials, Technical Art History, and the Legacy of G.E. Bentley Jr by Joyce H. Townsend and Bronwyn A. Ormsby (Tate Gallery, London) PART 2: "For Friendship's Sake": Friends and Patrons 1. New Light on the Mathews: Flaxman and Blake's Early Gothicism by David Bindman (University College London) 2. "A Ladys Book": Blake's Engravings for Hayley's The Triumphs of Temper by Mark Crosby (Queen's University, Belfast) 3. More on Blake's (and Bentley's) 'White Collar Maecenus': Thomas Butts, His Wife's Family of Artisans, and the Methodist Withams of St Bartholomew the Great by Mary Lynn Johnson (University of Iowa) 4. "Went to see Blake - also to Surgeons college": Blake and George Cumberland's Pocketbooks by Angus Whitehead (Nanyang Technological University, Singapore) 5. George Richmond, Blake's True Heir? by Martin Butlin (Tate Gallery, London PART 3: "What I Both See and Hear": Architecture and Industry 1. William Blake and Chichester by Morton D. Paley (University of California, Berkeley) 2. William Blake and the Straw Paper Manufactory at Millbank by Keri Davies (The Blake Society) Epilogue: A Memorable Fancy by Jerome McGann (University of Virginia) Appendix: William Blake in Toronto: The Bentley Collection at Victoria University Library by Robert Brandeis (Victoria University in the University of Toronto)
Introduction: Blake in Our Time - Minute Particulars by Karen Mulhallen (University of Toronto/Ryerson University/York University) PART 1: "Every Minute Particular is Holy": Materials 1. Collecting Blake by Robert N. Essick (University of California, Riverside) 2. Two Fake Blakes Revisited; One Dew-Smith Revealed by Joseph Viscomi (University of North Carolina at Chapel Hill) 3. Blake's Painting Materials, Technical Art History, and the Legacy of G.E. Bentley Jr by Joyce H. Townsend and Bronwyn A. Ormsby (Tate Gallery, London) PART 2: "For Friendship's Sake": Friends and Patrons 1. New Light on the Mathews: Flaxman and Blake's Early Gothicism by David Bindman (University College London) 2. "A Ladys Book": Blake's Engravings for Hayley's The Triumphs of Temper by Mark Crosby (Queen's University, Belfast) 3. More on Blake's (and Bentley's) 'White Collar Maecenus': Thomas Butts, His Wife's Family of Artisans, and the Methodist Withams of St Bartholomew the Great by Mary Lynn Johnson (University of Iowa) 4. "Went to see Blake - also to Surgeons college": Blake and George Cumberland's Pocketbooks by Angus Whitehead (Nanyang Technological University, Singapore) 5. George Richmond, Blake's True Heir? by Martin Butlin (Tate Gallery, London PART 3: "What I Both See and Hear": Architecture and Industry 1. William Blake and Chichester by Morton D. Paley (University of California, Berkeley) 2. William Blake and the Straw Paper Manufactory at Millbank by Keri Davies (The Blake Society) Epilogue: A Memorable Fancy by Jerome McGann (University of Virginia) Appendix: William Blake in Toronto: The Bentley Collection at Victoria University Library by Robert Brandeis (Victoria University in the University of Toronto)
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