"In his fourth book of poems, Daniel Morris continues to explore the relations between the verbal and the visual, but with intriguing twists. In the title poem, Morris meditates on the relationships between his evolving poetics and a late painting by Jackson Pollock that critics have identified as marking the end to the artist's classic period of action painting. " I mumbled how my own poetics shifted after middle age from Olson breath/ To clumsy imitation of Frostian blank verse. I knew my rude/Iambics were my blue poles." Morris looks backwards to Frost and Pollock, but in Blue Poles he also…mehr
"In his fourth book of poems, Daniel Morris continues to explore the relations between the verbal and the visual, but with intriguing twists. In the title poem, Morris meditates on the relationships between his evolving poetics and a late painting by Jackson Pollock that critics have identified as marking the end to the artist's classic period of action painting. " I mumbled how my own poetics shifted after middle age from Olson breath/ To clumsy imitation of Frostian blank verse. I knew my rude/Iambics were my blue poles." Morris looks backwards to Frost and Pollock, but in Blue Poles he also looks forward to a new poetic model by combining text with photography"--
Daniel Morris's poetry has appeared in Agni, Colorado Review, DENVER QUARTERLY, Western Humanities Review, Southern Humanities Review, River City, and other journals. Associate Professor of English at Purdue University, Morris has published scholarly books on William Carlos Williams and on how contemporary American authors have responded to modern painting. He lives in West Lafayette, Indiana, with his wife, Joy, and young sons, Isaac and Aaron. He is the author of three poetry collections published by Marsh Hawk Press: BLUE POLES (2019), HIT PLAY (2015), IF NOT FOR THE COURAGE (2010), and BRYCE PASSAGE (2004).
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