Examines how Black female blues singers expressed a working class, feminist perspectiveHinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
I. I Used to Be Your Sweet Mama: Ideology, Sexuality and Domesticity II. Blame It On the Blues: Bessie Smith, “Ma” Rainey and the Politics of Blues Protest III. Mama’s Got The Blues: Rivals, Girlfriends and Advisors IV. Here Come My Train: Traveling Themes in Ma Rainey’s Blues V. Preaching the Blues: Spirituality and Self-Consciousness VI. Up In Harlem Every Saturday Night: Blues and the Black Aesthetic VII. When A Woman Loves A Man: Social Implications of Billie Holiday’s Love Songs VIII. Strange Fruit: Music and Social Consciousness Lyrics to Songs Recorded by Gertrude “Ma” Rainey Lyrics to Songs Recorded by Bessie Smith Notes Works Consulted Index Permissions Acknowledgments
I. I Used to Be Your Sweet Mama: Ideology, Sexuality and Domesticity II. Blame It On the Blues: Bessie Smith, “Ma” Rainey and the Politics of Blues Protest III. Mama’s Got The Blues: Rivals, Girlfriends and Advisors IV. Here Come My Train: Traveling Themes in Ma Rainey’s Blues V. Preaching the Blues: Spirituality and Self-Consciousness VI. Up In Harlem Every Saturday Night: Blues and the Black Aesthetic VII. When A Woman Loves A Man: Social Implications of Billie Holiday’s Love Songs VIII. Strange Fruit: Music and Social Consciousness Lyrics to Songs Recorded by Gertrude “Ma” Rainey Lyrics to Songs Recorded by Bessie Smith Notes Works Consulted Index Permissions Acknowledgments
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