Scholar, songwriter, and dramatist Masi Asare explores the singing practice of Black women singers in US musical theatre between 1900 and 1970, showing how singers such as Bessie Smith, Ethel Waters, and Lena Horne possessed highly trained voices who fell in a lineage of singers and teachers.
Scholar, songwriter, and dramatist Masi Asare explores the singing practice of Black women singers in US musical theatre between 1900 and 1970, showing how singers such as Bessie Smith, Ethel Waters, and Lena Horne possessed highly trained voices who fell in a lineage of singers and teachers.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Warming Up ix Note on the Phonetic Transcription xi Acknowledgments xiii Introduction. Citing the Vocal-Possible 1 1. Vocal Color in Blue: Learning the Song with Blueswomen, Shouters, and Belters 24 2. Beyond the Weary-Bluesy Mammy: Listening Better with Midcentury Character Divas 64 3. "A Little Singer on Broadway": Exercising American Glamour with Golden Age Starlets 106 4. Secrets of Vocal Health: Voice Teachers and Pop Vocal Technique 162 Playoff 202 Appendix: More Exercises for Voice Practice 211 Notes 215 Bibliography 253 Index 271
Warming Up ix Note on the Phonetic Transcription xi Acknowledgments xiii Introduction. Citing the Vocal-Possible 1 1. Vocal Color in Blue: Learning the Song with Blueswomen, Shouters, and Belters 24 2. Beyond the Weary-Bluesy Mammy: Listening Better with Midcentury Character Divas 64 3. "A Little Singer on Broadway": Exercising American Glamour with Golden Age Starlets 106 4. Secrets of Vocal Health: Voice Teachers and Pop Vocal Technique 162 Playoff 202 Appendix: More Exercises for Voice Practice 211 Notes 215 Bibliography 253 Index 271
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