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"Graham Lock's rightly-named book expertly and impeccably attends to the mission African-American music has been on. Its address of a utopic assertion shaded by blue, dystopic truth in the work of Sun Ra, Ellington, and Braxton knowingly shows how distinctly out music 'in the tradition' has long been. Entering the discourse advanced by such assertion with exemplary grace and discernment, ever the right tone and touch, it succeeds beautifully in recognizing and furthering the music's blutopic studies."--Nathaniel Mackey, University of California, Santa Cruz

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Produktbeschreibung
"Graham Lock's rightly-named book expertly and impeccably attends to the mission African-American music has been on. Its address of a utopic assertion shaded by blue, dystopic truth in the work of Sun Ra, Ellington, and Braxton knowingly shows how distinctly out music 'in the tradition' has long been. Entering the discourse advanced by such assertion with exemplary grace and discernment, ever the right tone and touch, it succeeds beautifully in recognizing and furthering the music's blutopic studies."--Nathaniel Mackey, University of California, Santa Cruz
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Autorenporträt
Graham Lock is Special Lecturer in American Music at the University of Nottingham. He is the author of numerous articles, reviews, and books, including Forces in Motion: Anthony Braxton and the Meta-reality of Creative Music and Chasing the Vibration: Meetings with Creative Musicians .