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The analysis in the second half of each chapter covers a range of formal features, from the fantastic and collage, through parody and intertextuality, to irony, plot, and story telling. The book also traces developments in the work of all three authors, taking account of the historical changes in the Eastern Bloc countries since 1989. "Body and Narrative in Contemporary Literatures in German" will be valuable for anyone researching contemporary German literatures, as well as those interested in feminist theory, minority literatures, and trauma.
This book is the first to compare three
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Produktbeschreibung
The analysis in the second half of each chapter covers a range of formal features, from the fantastic and collage, through parody and intertextuality, to irony, plot, and story telling. The book also traces developments in the work of all three authors, taking account of the historical changes in the Eastern Bloc countries since 1989. "Body and Narrative in Contemporary Literatures in German" will be valuable for anyone researching contemporary German literatures, as well as those interested in feminist theory, minority literatures, and trauma.
This book is the first to compare three contemporary women writing in German: Herta Müller (from Romania), Libuse Moníková (from Czechoslovakia), and Kerstin Hensel (from the GDR). Drawing on psychoanlytical, feminist, and performativity theory, it looks at images of the body and their relationship to the structures of their writing as well as analysing the social, cultural, and political contexts.
Autorenporträt
Lyn Marven is a holder of a Leverhulme Early Careers Fellowship at Manchester University.