Body Double explores the myriad ways that artists and the creative process have been represented on screen. Through the exploration of many distinct forms of cinema, Lucy Fischer examines such topics as the gender, age, and mental or physical health of fictionalized artists; the dramatized interaction between artists, audiences, and critics; and the formal play of written words and nonverbal images.
Body Double explores the myriad ways that artists and the creative process have been represented on screen. Through the exploration of many distinct forms of cinema, Lucy Fischer examines such topics as the gender, age, and mental or physical health of fictionalized artists; the dramatized interaction between artists, audiences, and critics; and the formal play of written words and nonverbal images.
LUCY FISCHER is Distinguished Professor of English and Film Studies at the University of Pittsburgh. She has written and edited numerous books, including American Cinema of the 1920s: Themes and Variations (Rutgers University Press) and Designing Women: Art Deco, Cinema, and the Female Form.
Inhaltsangabe
Acknowledgments Introduction: The Screen Author--Wanted: Dead or Alive 1. Typecasting the Author 2. Beyond Adaptation: The Writer as Filmmaker 3. The Author at the Dream Factory: The Screenwriter and the Movies 4. The Authoress: Textuality as Sexuality 5. Writing Pain: The Infirm Author 6. Cinecriture: Word and Image 7. Corpus and Oeuvre: Authorship and the Body 8. Stealing Beauty: The Reader, the Critic, and the Appropriation of the Authorial Voice Afterword: Signs and Meaning in the Cinema Notes Filmography Bibliography Index
Acknowledgments Introduction: The Screen Author--Wanted: Dead or Alive 1. Typecasting the Author 2. Beyond Adaptation: The Writer as Filmmaker 3. The Author at the Dream Factory: The Screenwriter and the Movies 4. The Authoress: Textuality as Sexuality 5. Writing Pain: The Infirm Author 6. Cinecriture: Word and Image 7. Corpus and Oeuvre: Authorship and the Body 8. Stealing Beauty: The Reader, the Critic, and the Appropriation of the Authorial Voice Afterword: Signs and Meaning in the Cinema Notes Filmography Bibliography Index
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