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Body-Mind Dissociation in Psychoanalysis proposes the concept as a new hypothesis, different from traumatic dissociation or states of splitting.
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Body-Mind Dissociation in Psychoanalysis proposes the concept as a new hypothesis, different from traumatic dissociation or states of splitting.
Produktdetails
- Produktdetails
- Relational Perspectives Book Series
- Verlag: Taylor & Francis Ltd
- Seitenzahl: 226
- Erscheinungstermin: 29. November 2016
- Englisch
- Abmessung: 157mm x 234mm x 18mm
- Gewicht: 380g
- ISBN-13: 9781138100053
- ISBN-10: 1138100056
- Artikelnr.: 47223961
- Relational Perspectives Book Series
- Verlag: Taylor & Francis Ltd
- Seitenzahl: 226
- Erscheinungstermin: 29. November 2016
- Englisch
- Abmessung: 157mm x 234mm x 18mm
- Gewicht: 380g
- ISBN-13: 9781138100053
- ISBN-10: 1138100056
- Artikelnr.: 47223961
Riccardo Lombardi is a psychoanalyst, psychiatrist and MD. He has a full-time private practice in Rome and teaches at the Roman Psychoanalytic Institute of the International Psychoanalytic Association (IPA). He is a Training and Supervising Analyst of the Italian Psychoanalytic Society. Among his published works is the book Formless Infinity. Clinical Exploration of Matte Blanco and Bion, published by Routledge in 2015.
Foreword Introduction 1. Body-Mind Dissociation and Transference onto the
Body 2. Visual Power, Emotions and Mental Growth : A clinical essay on some
of Bion's earliest psychosomatic intuitions 3. Intersubjectivity and the
Body 4. Primitive Mental States and the Body. A personal view of AB
Ferrari's Concrete Original Object 5. The Body in the Analytic Session:
Focusing on the Body-Mind Link 6. Body and Mind in Adolescence 7. Working
with the Body-Mind Dissociation in Three Psychoanalytic Sessions 8. The
Body, Feelings and the Unheard Music of the Senses 9. The Hat on top of the
Volcano: Bion's O and Ferrari's Body-Mind Relationship 10. Bodily
Claustrophobia and the Music: A Psychoanalytic Note on Beethoven's Fidelio
11. Conclusion: Art, Experience and Harmonization of the Body-Mind
Relationship
Body 2. Visual Power, Emotions and Mental Growth : A clinical essay on some
of Bion's earliest psychosomatic intuitions 3. Intersubjectivity and the
Body 4. Primitive Mental States and the Body. A personal view of AB
Ferrari's Concrete Original Object 5. The Body in the Analytic Session:
Focusing on the Body-Mind Link 6. Body and Mind in Adolescence 7. Working
with the Body-Mind Dissociation in Three Psychoanalytic Sessions 8. The
Body, Feelings and the Unheard Music of the Senses 9. The Hat on top of the
Volcano: Bion's O and Ferrari's Body-Mind Relationship 10. Bodily
Claustrophobia and the Music: A Psychoanalytic Note on Beethoven's Fidelio
11. Conclusion: Art, Experience and Harmonization of the Body-Mind
Relationship
Foreword Introduction 1. Body-Mind Dissociation and Transference onto the
Body 2. Visual Power, Emotions and Mental Growth : A clinical essay on some
of Bion's earliest psychosomatic intuitions 3. Intersubjectivity and the
Body 4. Primitive Mental States and the Body. A personal view of AB
Ferrari's Concrete Original Object 5. The Body in the Analytic Session:
Focusing on the Body-Mind Link 6. Body and Mind in Adolescence 7. Working
with the Body-Mind Dissociation in Three Psychoanalytic Sessions 8. The
Body, Feelings and the Unheard Music of the Senses 9. The Hat on top of the
Volcano: Bion's O and Ferrari's Body-Mind Relationship 10. Bodily
Claustrophobia and the Music: A Psychoanalytic Note on Beethoven's Fidelio
11. Conclusion: Art, Experience and Harmonization of the Body-Mind
Relationship
Body 2. Visual Power, Emotions and Mental Growth : A clinical essay on some
of Bion's earliest psychosomatic intuitions 3. Intersubjectivity and the
Body 4. Primitive Mental States and the Body. A personal view of AB
Ferrari's Concrete Original Object 5. The Body in the Analytic Session:
Focusing on the Body-Mind Link 6. Body and Mind in Adolescence 7. Working
with the Body-Mind Dissociation in Three Psychoanalytic Sessions 8. The
Body, Feelings and the Unheard Music of the Senses 9. The Hat on top of the
Volcano: Bion's O and Ferrari's Body-Mind Relationship 10. Bodily
Claustrophobia and the Music: A Psychoanalytic Note on Beethoven's Fidelio
11. Conclusion: Art, Experience and Harmonization of the Body-Mind
Relationship