In Bodytalk, E. Jane Burns contends that female protagonists in medieval texts authored by men can be heard to talk back against the stereotyped and codified roles that their fictive anatomy is designed to convey.
In Bodytalk, E. Jane Burns contends that female protagonists in medieval texts authored by men can be heard to talk back against the stereotyped and codified roles that their fictive anatomy is designed to convey.
Preface Introduction: Listening to Bodies Talk PART I. KNOWING WOMEN Chapter One: A Close Look at Female Orifices in Farce and Fabliau —Head or Ass? Refocusing the Penis-Eye —Lips or Labia? How Headless Women Speak Chapter Two: A Taste of Knowledge: Genesis and Generation in the Jeu d'Adam —Mind Over Matter: Why Women Should Be Silent —Matter Before Mind: How Women Come First PART II. DESIRING LADIES Chapter Three: Beauty in the Blindspot: Philomena's Talking Hands Chapter Four: Rewriting Men's Stories: Enide's Disruptive Mouths Chapter Five: Why Beauty Laughs
Preface Introduction: Listening to Bodies Talk PART I. KNOWING WOMEN Chapter One: A Close Look at Female Orifices in Farce and Fabliau —Head or Ass? Refocusing the Penis-Eye —Lips or Labia? How Headless Women Speak Chapter Two: A Taste of Knowledge: Genesis and Generation in the Jeu d'Adam —Mind Over Matter: Why Women Should Be Silent —Matter Before Mind: How Women Come First PART II. DESIRING LADIES Chapter Three: Beauty in the Blindspot: Philomena's Talking Hands Chapter Four: Rewriting Men's Stories: Enide's Disruptive Mouths Chapter Five: Why Beauty Laughs
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