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The nineteenth-century Romantic myth of Bohemia emerged to describe the new conditions faced by artists and writers, who after the previous system of aristocratic patronage collapsed were free to move around in search of success. Yet most real-life bohemians have scant interest in commercial gain and are not so itinerant after all. Tracing these contradictions in bohemian cultures and lifestyles from the early nineteenth century to the present, David Weir explores the myth of Bohemia as it developed in various forms of expression--novels, plays, operas, films--and in key cities, including…mehr

Produktbeschreibung
The nineteenth-century Romantic myth of Bohemia emerged to describe the new conditions faced by artists and writers, who after the previous system of aristocratic patronage collapsed were free to move around in search of success. Yet most real-life bohemians have scant interest in commercial gain and are not so itinerant after all. Tracing these contradictions in bohemian cultures and lifestyles from the early nineteenth century to the present, David Weir explores the myth of Bohemia as it developed in various forms of expression--novels, plays, operas, films--and in key cities, including Paris, Munich, and New York. Weir concludes with a discussion of the legacy of Bohemia today as something outworn and dying, an exhausted tradition that somehow continues.
Autorenporträt
David Weir is Distinguished Visiting Scholar at Goldsmiths, University of London, and Professor Emeritus of Comparative Literature at Cooper Union in New York City. He has published ten books, two on film directors (Jean Vigo and Ernst Lubitsch), two on James Joyce, and several on such topics as orientalism, anarchism, and decadence, including Decadence: A Very Short Introduction. He also co-edited, with Jane Desmarais, Decadence and Literature and The Oxford Handbook of Decadence.