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"These poems, like light, clarify even as they pierce." —PUBLISHERS WEEKLY Selected for the National Poetry Series by Martha Collins, Sara Eliza Johnson’s stunning, deeply visceral first collection pulls shards of tenderness from a world on the verge of collapse. Here violence and terror infuse the body, the landscape, and dreams: a handful of blackberries offered from bloodied arms, bee stings likened to pulses of sunlight, a honeycomb of marrow exposed. "All moments will shine if you cut them open. / Will glisten like entrails in the sun." With figurative language that makes long,…mehr

Produktbeschreibung
"These poems, like light, clarify even as they pierce." —PUBLISHERS WEEKLY Selected for the National Poetry Series by Martha Collins, Sara Eliza Johnson’s stunning, deeply visceral first collection pulls shards of tenderness from a world on the verge of collapse. Here violence and terror infuse the body, the landscape, and dreams: a handful of blackberries offered from bloodied arms, bee stings likened to pulses of sunlight, a honeycomb of marrow exposed. "All moments will shine if you cut them open. / Will glisten like entrails in the sun." With figurative language that makes long, associative leaps, and with metaphors and images that continually resurrect themselves across poems, Bone Map builds and transforms its world through a locomotive echo—a regenerative force—that comes to parallel the psychic quest for redemption that unfolds in its second half. The result is a deeply affecting composition that establishes Sara Eliza Johnson as a vital new voice in American poetry.
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Autorenporträt
National Poetry Series and Rona Jaffe Award winner Sara Eliza Johnson has published poems in Boston Review and the New England Review, among many others publications. She is the Vice Presidential Fellow in creative writing at the University of Utah. She lives in Salt Lake City. Martha Collins is the author of six collections of poetry and three books of co-translations from the Vietnamese. She founded the Creative Writing Program at the University of Massachusetts Boston and for ten years served as the Pauline Delaney Professor of Creative Writing at Oberlin College. Currently editor-at-large for FIELD and an editor for Oberlin College Press, she lives in Cambridge, MA.