Scott Timberg
Boom Times for the End of the World
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Boom Times for the End of the World
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"Essays drawn from across Timberg's career, including profiles of artists and writers, as well as investigations of the challenges facing America's creative class"--]cProvided by publisher.
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"Essays drawn from across Timberg's career, including profiles of artists and writers, as well as investigations of the challenges facing America's creative class"--]cProvided by publisher.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Heyday Books
- New ed
- Seitenzahl: 304
- Erscheinungstermin: 4. Mai 2023
- Englisch
- Abmessung: 215mm x 141mm x 25mm
- Gewicht: 408g
- ISBN-13: 9781597145985
- ISBN-10: 159714598X
- Artikelnr.: 64296802
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
- Verlag: Heyday Books
- New ed
- Seitenzahl: 304
- Erscheinungstermin: 4. Mai 2023
- Englisch
- Abmessung: 215mm x 141mm x 25mm
- Gewicht: 408g
- ISBN-13: 9781597145985
- ISBN-10: 159714598X
- Artikelnr.: 64296802
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
Scott Timberg, a former arts reporter for the LA Weekly and the Los Angeles Times, wrote on music and culture and was a contributor to Salon, the New York Times, and Vox. He was an award-winning journalist, a blogger on West Coast culture, and an adjunct writing professor. His previous book, Culture Crash: The Killing of the Creative Class, was published in 2015 by Yale University Press. Richard Brody of the New Yorker called Culture Crash “a quietly radical rethinking of the very nature of art in modern life,” and Ben Downing, writing in the Wall Street Journal, said, “Mr. Timberg succeeds in assembling a large, coherent, and troubling mosaic … weaving all manner of information and opinion into a fluent narrative of cultural decline.” Timberg died by his own hand on December 10, 2019, in Pasadena, California. He was fifty years old. Ted Gioia is a music historian and the author of eleven books, including Music: A Subversive History and How to Listen to Jazz. His three books on the social history of music—Work Songs, Healing Songs, and Love Songs—have each been honored with the ASCAP Deems Taylor/Virgil Thomson Award. Gioia's wide-ranging activities as a critic, scholar, performer, and educator have established him as a leading global guide to music past, present, and future.
Introduction
Eye on Cool
Being Spike Jonze
Unwanted Thoughts
The Romantic Egotist
Indie Angst
High-Tone Talk
Hitting a Nerve
Mars in Apogee
The Cult of Glenn Gould
His Back Pages
Music on the Edge
Retooling Form and Function
Boom Times for the End of the World
Drawn to a Dark Side
Highbrow. Lowbrow. No Brow. Now What?
The Novel That Predicted Portland
Will Any Band Ever Break Up?
Can Unions Save the Creative Class?
Chasing Musical Legends in Joshua Tree National Park
How the Village Voice and Other Alt-Weeklies Lost Their Voice
Down We Go Together
Leaving Los Angeles
Searching for a Great American Rock Show
The Revenge of Monoculture
How Music Has Responded to a Decade of Economic Inequality
After a Decade, Will Gustavo Dudamel Stay at the LA Phil or Leave on a High
Note?
Acknowledgments
About the Author
Eye on Cool
Being Spike Jonze
Unwanted Thoughts
The Romantic Egotist
Indie Angst
High-Tone Talk
Hitting a Nerve
Mars in Apogee
The Cult of Glenn Gould
His Back Pages
Music on the Edge
Retooling Form and Function
Boom Times for the End of the World
Drawn to a Dark Side
Highbrow. Lowbrow. No Brow. Now What?
The Novel That Predicted Portland
Will Any Band Ever Break Up?
Can Unions Save the Creative Class?
Chasing Musical Legends in Joshua Tree National Park
How the Village Voice and Other Alt-Weeklies Lost Their Voice
Down We Go Together
Leaving Los Angeles
Searching for a Great American Rock Show
The Revenge of Monoculture
How Music Has Responded to a Decade of Economic Inequality
After a Decade, Will Gustavo Dudamel Stay at the LA Phil or Leave on a High
Note?
Acknowledgments
About the Author
Introduction
Eye on Cool
Being Spike Jonze
Unwanted Thoughts
The Romantic Egotist
Indie Angst
High-Tone Talk
Hitting a Nerve
Mars in Apogee
The Cult of Glenn Gould
His Back Pages
Music on the Edge
Retooling Form and Function
Boom Times for the End of the World
Drawn to a Dark Side
Highbrow. Lowbrow. No Brow. Now What?
The Novel That Predicted Portland
Will Any Band Ever Break Up?
Can Unions Save the Creative Class?
Chasing Musical Legends in Joshua Tree National Park
How the Village Voice and Other Alt-Weeklies Lost Their Voice
Down We Go Together
Leaving Los Angeles
Searching for a Great American Rock Show
The Revenge of Monoculture
How Music Has Responded to a Decade of Economic Inequality
After a Decade, Will Gustavo Dudamel Stay at the LA Phil or Leave on a High
Note?
Acknowledgments
About the Author
Eye on Cool
Being Spike Jonze
Unwanted Thoughts
The Romantic Egotist
Indie Angst
High-Tone Talk
Hitting a Nerve
Mars in Apogee
The Cult of Glenn Gould
His Back Pages
Music on the Edge
Retooling Form and Function
Boom Times for the End of the World
Drawn to a Dark Side
Highbrow. Lowbrow. No Brow. Now What?
The Novel That Predicted Portland
Will Any Band Ever Break Up?
Can Unions Save the Creative Class?
Chasing Musical Legends in Joshua Tree National Park
How the Village Voice and Other Alt-Weeklies Lost Their Voice
Down We Go Together
Leaving Los Angeles
Searching for a Great American Rock Show
The Revenge of Monoculture
How Music Has Responded to a Decade of Economic Inequality
After a Decade, Will Gustavo Dudamel Stay at the LA Phil or Leave on a High
Note?
Acknowledgments
About the Author