Twenty-first century fashion practice has become increasingly borderless and diverse in the digital era, calling into question the very boundaries that define fashion in the Western cultural context. Borderless Fashion Practice engages the work of fashion designers whose work intersects with other creative disciplines such as art, technology, science, architecture, and graphic design.
Twenty-first century fashion practice has become increasingly borderless and diverse in the digital era, calling into question the very boundaries that define fashion in the Western cultural context. Borderless Fashion Practice engages the work of fashion designers whose work intersects with other creative disciplines such as art, technology, science, architecture, and graphic design.
Vanessa Gerrie is a lecturer in critical studies at the College of Creative Arts at Massey University Wellington, Aotearoa New Zealand. Her scholarship focuses on art history and theory, visual culture, and media studies, with an emphasis on fashion culture and how it intersects with critical theory.
Inhaltsangabe
List of Illustrations Introduction 1 On Metamodernism 2 Fashion in the Academy 3 Fashion's Democratization 4 Collaboration and Experimentation between Fashion and Art 5 Fashion as a Concept 6 Virgil Abloh's Democratic Fashion Practice 7 Aitor Throup's Divergent Design 8 Iris van Herpen's "New Couture" 9 Eckhaus Latta's Community-Led Brand Conclusion Acknowledgments Notes Bibliography Index
List of Illustrations Introduction 1 On Metamodernism 2 Fashion in the Academy 3 Fashion's Democratization 4 Collaboration and Experimentation between Fashion and Art 5 Fashion as a Concept 6 Virgil Abloh's Democratic Fashion Practice 7 Aitor Throup's Divergent Design 8 Iris van Herpen's "New Couture" 9 Eckhaus Latta's Community-Led Brand Conclusion Acknowledgments Notes Bibliography Index
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