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"In Borealis, Aisha Sabatini Sloan writes about a solitary summer visit to Alaska, observing glaciers, shorelines, mountains, bald eagles, and herself. As she studies her surroundings, the myth of Alaska-excitement, exploration, possibility-is complicated by boredom and isolation, and her attempts to set down place in writing are suffused with nostalgia and anxiety. The first title commissioned for the Spatial Species series, Borealis is a shapeshifting logbook of Sabatini Sloan's experiences as a queer woman contemplating her Blackness in the wilderness and in the mysteries of art-making. The…mehr

Produktbeschreibung
"In Borealis, Aisha Sabatini Sloan writes about a solitary summer visit to Alaska, observing glaciers, shorelines, mountains, bald eagles, and herself. As she studies her surroundings, the myth of Alaska-excitement, exploration, possibility-is complicated by boredom and isolation, and her attempts to set down place in writing are suffused with nostalgia and anxiety. The first title commissioned for the Spatial Species series, Borealis is a shapeshifting logbook of Sabatini Sloan's experiences as a queer woman contemplating her Blackness in the wilderness and in the mysteries of art-making. The Spatial Species series, edited by Youmna Chlala and Ken Chen, investigates the ways we activate space through language. In the tradition of Georges Perec's An Attempt at Exhausting a Place in Paris, Spatial Species titles are pocket-sized editions, each keenly focused on place. Instead of tourist spots and public squares, we encounter unmarked, noncanonical spaces: edges, alleyways, diasporic traces. Such intimate journeying requires experiments in language and genre, moving travelogue, fiction, or memoir into something closer to eating, drinking, and dreaming"--
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Autorenporträt
Aisha Sabatini Sloan was born and raised in Los Angeles. Her writing about race and current events is often coupled with analysis of art, film, and pop culture. She studied English literature at Carleton College and went on to earn an MA in cultural studies and studio art from the Gallatin School of Individualized Study at NYU and an MFA in creative nonfiction from the University of Arizona. She is the author of the essay collections The Fluency of Light: Coming of Age in a Theater of Black and White and Dreaming of Ramadi in Detroit. With her father, she is the author of Captioning the Archives, a conversation through image and text. She is a recipient of the 2018 CLMP Firecracker Award for Creative Nonfiction and a 2020 National Endowment for the Arts Literature Fellowship. She teaches creative writing at the University of Michigan.