"Addressing an imbalance in early modern studies, Bonnie Lander Johnson reveals how, through interest in popular plant cultures and beliefs - tree ballads, embroidery, pedagogical tales, almanacs - Shakespeare put illiterate culture in contact with questions usually deemed learned and elite: theology, politics, the military and medicine"--
"Addressing an imbalance in early modern studies, Bonnie Lander Johnson reveals how, through interest in popular plant cultures and beliefs - tree ballads, embroidery, pedagogical tales, almanacs - Shakespeare put illiterate culture in contact with questions usually deemed learned and elite: theology, politics, the military and medicine"--Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Bonnie Lander Johnson is Fellow and Associate Professor at Downing College, Cambridge University. Her academic books include Chastity in Early Stuart Literature and Culture (Cambridge University Press, 2015), Blood Matters (2018) and The Cambridge Handbook of Literature and Plants (forthcoming). She also writes fiction and non-fiction about early modernity and our changing relationship to the natural world.
Inhaltsangabe
Introduction: theatre nostalgia and the reformation of plants; Part I. Plants: Monarchs signatures and the recuperation of the 'common': 1. Trees kings Christ: almanacs ballads and the divinity of matter in Richard II; 2. Pansies queens midwives: fairy flowers travellers' tales and domestic practice in a midsummer night's dream; Part II. Places: Domestic and civic: negotiating botanical cultures in the theatre: 3. The theatre as medical marketplace: poison desire and cultures of diagnosis: Romeo and Juliet; 4. The theatre as bower: botanical tapestries the passion of Christ and the book of nature in Cymbeline; Conclusion: the mulberry tree; Index.
Introduction: theatre nostalgia and the reformation of plants; Part I. Plants: Monarchs signatures and the recuperation of the 'common': 1. Trees kings Christ: almanacs ballads and the divinity of matter in Richard II; 2. Pansies queens midwives: fairy flowers travellers' tales and domestic practice in a midsummer night's dream; Part II. Places: Domestic and civic: negotiating botanical cultures in the theatre: 3. The theatre as medical marketplace: poison desire and cultures of diagnosis: Romeo and Juliet; 4. The theatre as bower: botanical tapestries the passion of Christ and the book of nature in Cymbeline; Conclusion: the mulberry tree; Index.
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