Introduction: Compiling Culture PART I. READERS Chapter 1. Special Collections: Book Curatorship and the Idea of Early Print in Libraries Chapter 2. Making Shakespeare's Books: Material Intertextuality from the Bindery to the Conservation Lab PART II. WRITERS Chapter 3. Transformative Imitation: Composing the Lyric in Liber Lilliati and Watson's Hekatompathia Chapter 4. Vernacularity and the Compiling Self in Spenser's Shepheardes Calender and Montaigne's Essays Chapter 5. The Custom-Made Corpus: English Collected Works in Print, 1532-1623 Epilogue: "Collated and Perfect" Notes Bibliography Index Acknowledgments
Introduction: Compiling Culture PART I. READERS Chapter 1. Special Collections: Book Curatorship and the Idea of Early Print in Libraries Chapter 2. Making Shakespeare's Books: Material Intertextuality from the Bindery to the Conservation Lab PART II. WRITERS Chapter 3. Transformative Imitation: Composing the Lyric in Liber Lilliati and Watson's Hekatompathia Chapter 4. Vernacularity and the Compiling Self in Spenser's Shepheardes Calender and Montaigne's Essays Chapter 5. The Custom-Made Corpus: English Collected Works in Print, 1532-1623 Epilogue: "Collated and Perfect" Notes Bibliography Index Acknowledgments
Es gelten unsere Allgemeinen Geschäftsbedingungen: www.buecher.de/agb
Impressum
www.buecher.de ist ein Shop der buecher.de GmbH & Co. KG Bürgermeister-Wegele-Str. 12, 86167 Augsburg Amtsgericht Augsburg HRA 13309