This book explores the possibilities and limitations of violence on the early modern stage and in the early modern world.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Samantha Dressel is Assistant Professor in Wilkinson College of Arts, Humanities, and Social Sciences at Chapman University, USA. Matthew Carter is Assistant Professor of English at Clayton State University, USA.
Inhaltsangabe
Contributor Biographies Acknowledgements Introduction Chapter 1. The Boundaries of Theatrical Violence Chapter 2. "Witchy Woman": Reading Women and Occult Power in Popular Literature of Early Modern England Chapter 3. The Grotesque Female Body on the Scaffold: The Execution of Annis Bankyn (1590) Chapter 4. "I Will Keepe None of There Bastardes": The Violence of Scarcity in Ben Jonson's Every Man Out of His Humour Chapter 5. "A x to her, slaps her face-she kneels": Violence between the Lines in 2.4 of Measure for Measure Chapter 6. 'Villains, all three': Object-led Violence in The Revenger's Tragedy Chapter 7. Fool on the Body and Madness on the Mind in John Marston's Antonio Plays Chapter 8. "Slack in [Neither] Tongue [Nor] Performance": The Duchess's Maternal Authority and Incestuous Revenge in The Revenger's Tragedy Chapter 9. 'This Stroke for the Most Wronged of Women': Sexual Coercion and Revenge Violence in The Maid's Tragedy Coda Index
Contributor Biographies Acknowledgements Introduction Chapter 1. The Boundaries of Theatrical Violence Chapter 2. "Witchy Woman": Reading Women and Occult Power in Popular Literature of Early Modern England Chapter 3. The Grotesque Female Body on the Scaffold: The Execution of Annis Bankyn (1590) Chapter 4. "I Will Keepe None of There Bastardes": The Violence of Scarcity in Ben Jonson's Every Man Out of His Humour Chapter 5. "A x to her, slaps her face-she kneels": Violence between the Lines in 2.4 of Measure for Measure Chapter 6. 'Villains, all three': Object-led Violence in The Revenger's Tragedy Chapter 7. Fool on the Body and Madness on the Mind in John Marston's Antonio Plays Chapter 8. "Slack in [Neither] Tongue [Nor] Performance": The Duchess's Maternal Authority and Incestuous Revenge in The Revenger's Tragedy Chapter 9. 'This Stroke for the Most Wronged of Women': Sexual Coercion and Revenge Violence in The Maid's Tragedy Coda Index
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