This second volume of Brahms studies contains twelve contributions by leading international authorities on various but interrelated aspects of Brahms and his music. Like the preceding volume of the same title (edited by Robert Pascall), Michael Musgrave's volume aims to provide original scholarly material on different facets of a major composer still inadequately discussed in book form and employs more precise methods of analysis and more critical approaches to materials than generally available in writings on Brahms in English.
This second volume of Brahms studies contains twelve contributions by leading international authorities on various but interrelated aspects of Brahms and his music. Like the preceding volume of the same title (edited by Robert Pascall), Michael Musgrave's volume aims to provide original scholarly material on different facets of a major composer still inadequately discussed in book form and employs more precise methods of analysis and more critical approaches to materials than generally available in writings on Brahms in English.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
List of illustrations Preface 1. Brahms and England Michael Musgrave 2. The establishment of a Brahms repertoire 1980-1902 Siegfried Kross 3. New light on the Brahms Nachlass Otto Biba 4. Brahms's 'Way': a composer's self-view Imogen Fellinger 5. Brahms's posthumous compositions and arrangements: editorial problems and questions of authenticity George S. Bozarth 6. Brahms's links with German Renaissance music: a discussion of selected choral works Virginia Hancock 7. Brahms's Missa canonica and its recomposition in his Motet 'Warum' Op. 74 No. 1 Robert Pascall 8. The String Quartets Op. 51 No. 1 in C minor and No. 2 in A minor: a preface Michael Musgrave and Robert Pascall 9. Two of a kind? Brahms's Op. 51 finales Arnold Whittall 10. Motivic design and structural levels in the first movement of Brahms's String Quartet in C minor Allen Forte 11. The 'Sceptred Pall': Brahm's progressive harmony Christopher Wintle 12. Brahms the indecisive: notes on the first movement of the Fourth Symphony Louise Litterick Appendix: exhibition handlist Nigel Simeone Index.
List of illustrations Preface 1. Brahms and England Michael Musgrave 2. The establishment of a Brahms repertoire 1980-1902 Siegfried Kross 3. New light on the Brahms Nachlass Otto Biba 4. Brahms's 'Way': a composer's self-view Imogen Fellinger 5. Brahms's posthumous compositions and arrangements: editorial problems and questions of authenticity George S. Bozarth 6. Brahms's links with German Renaissance music: a discussion of selected choral works Virginia Hancock 7. Brahms's Missa canonica and its recomposition in his Motet 'Warum' Op. 74 No. 1 Robert Pascall 8. The String Quartets Op. 51 No. 1 in C minor and No. 2 in A minor: a preface Michael Musgrave and Robert Pascall 9. Two of a kind? Brahms's Op. 51 finales Arnold Whittall 10. Motivic design and structural levels in the first movement of Brahms's String Quartet in C minor Allen Forte 11. The 'Sceptred Pall': Brahm's progressive harmony Christopher Wintle 12. Brahms the indecisive: notes on the first movement of the Fourth Symphony Louise Litterick Appendix: exhibition handlist Nigel Simeone Index.
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