Brahms in the Home and the Concert Hall
Between Private and Public Performance
Herausgeber: Hamilton, Katy; Loges, Natasha
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Brahms in the Home and the Concert Hall
Between Private and Public Performance
Herausgeber: Hamilton, Katy; Loges, Natasha
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This collection explores the boundaries between Brahms' professional identity and his lifelong engagement with private and amateur music-making.
This collection explores the boundaries between Brahms' professional identity and his lifelong engagement with private and amateur music-making.
Produktdetails
- Produktdetails
- Verlag: Cambridge University Press
- Seitenzahl: 424
- Erscheinungstermin: 20. Oktober 2014
- Englisch
- Abmessung: 249mm x 180mm x 28mm
- Gewicht: 998g
- ISBN-13: 9781107042704
- ISBN-10: 1107042704
- Artikelnr.: 40910489
- Verlag: Cambridge University Press
- Seitenzahl: 424
- Erscheinungstermin: 20. Oktober 2014
- Englisch
- Abmessung: 249mm x 180mm x 28mm
- Gewicht: 998g
- ISBN-13: 9781107042704
- ISBN-10: 1107042704
- Artikelnr.: 40910489
Foreword Michael Musgrave; 1. Brahms in the home: an introduction Katy
Hamilton and Natasha Loges; 2. The Joachim quartet concerts at the Berlin
Sing-Akademie: Mendelssohnian Geselligkeit in Wilhelmine Germany Robert
Eshbach; 3. Domesticity in Brahms's string sextets, Opp. 18 and 36 Marie
Sumner Lott; 4. Where was the home of Brahms's piano works? Katrin Eich; 5.
Main and shadowy existence(s): works and arrangements in the oeuvre of
Johannes Brahms Michael Struck; 6. Brahms arranges his symphonies Robert
Pascall; 7. At the piano with Joseph and Johannes: Joachim's overtures in
Brahms's circle Valerie Woodring Goertzen; 8. Brahms and his arrangers
Helen Paskins, Katy Hamilton and Natasha Loges; 9. Brahms in the
Wittgenstein homes: a memoir and letters Styra Avins; 10. The construction
of gender and mores in Brahms's Mädchenlieder Heather Platt; 11. Music
inside the home and outside the box: Brahms's vocal quartets in context
Katy Hamilton; 12. The limits of the Lied: Brahms's Magelone-Romanzen Op.
33 Natasha Loges; 13. Being (like) Brahms: emulation and ideology in late
nineteenth-century Hausmusik Markus Böggemann; 14. The cultural dialectics
of chamber music: Adorno and the visual-acoustic imaginary of Bildung
Richard Leppert.
Hamilton and Natasha Loges; 2. The Joachim quartet concerts at the Berlin
Sing-Akademie: Mendelssohnian Geselligkeit in Wilhelmine Germany Robert
Eshbach; 3. Domesticity in Brahms's string sextets, Opp. 18 and 36 Marie
Sumner Lott; 4. Where was the home of Brahms's piano works? Katrin Eich; 5.
Main and shadowy existence(s): works and arrangements in the oeuvre of
Johannes Brahms Michael Struck; 6. Brahms arranges his symphonies Robert
Pascall; 7. At the piano with Joseph and Johannes: Joachim's overtures in
Brahms's circle Valerie Woodring Goertzen; 8. Brahms and his arrangers
Helen Paskins, Katy Hamilton and Natasha Loges; 9. Brahms in the
Wittgenstein homes: a memoir and letters Styra Avins; 10. The construction
of gender and mores in Brahms's Mädchenlieder Heather Platt; 11. Music
inside the home and outside the box: Brahms's vocal quartets in context
Katy Hamilton; 12. The limits of the Lied: Brahms's Magelone-Romanzen Op.
33 Natasha Loges; 13. Being (like) Brahms: emulation and ideology in late
nineteenth-century Hausmusik Markus Böggemann; 14. The cultural dialectics
of chamber music: Adorno and the visual-acoustic imaginary of Bildung
Richard Leppert.
Foreword Michael Musgrave; 1. Brahms in the home: an introduction Katy
Hamilton and Natasha Loges; 2. The Joachim quartet concerts at the Berlin
Sing-Akademie: Mendelssohnian Geselligkeit in Wilhelmine Germany Robert
Eshbach; 3. Domesticity in Brahms's string sextets, Opp. 18 and 36 Marie
Sumner Lott; 4. Where was the home of Brahms's piano works? Katrin Eich; 5.
Main and shadowy existence(s): works and arrangements in the oeuvre of
Johannes Brahms Michael Struck; 6. Brahms arranges his symphonies Robert
Pascall; 7. At the piano with Joseph and Johannes: Joachim's overtures in
Brahms's circle Valerie Woodring Goertzen; 8. Brahms and his arrangers
Helen Paskins, Katy Hamilton and Natasha Loges; 9. Brahms in the
Wittgenstein homes: a memoir and letters Styra Avins; 10. The construction
of gender and mores in Brahms's Mädchenlieder Heather Platt; 11. Music
inside the home and outside the box: Brahms's vocal quartets in context
Katy Hamilton; 12. The limits of the Lied: Brahms's Magelone-Romanzen Op.
33 Natasha Loges; 13. Being (like) Brahms: emulation and ideology in late
nineteenth-century Hausmusik Markus Böggemann; 14. The cultural dialectics
of chamber music: Adorno and the visual-acoustic imaginary of Bildung
Richard Leppert.
Hamilton and Natasha Loges; 2. The Joachim quartet concerts at the Berlin
Sing-Akademie: Mendelssohnian Geselligkeit in Wilhelmine Germany Robert
Eshbach; 3. Domesticity in Brahms's string sextets, Opp. 18 and 36 Marie
Sumner Lott; 4. Where was the home of Brahms's piano works? Katrin Eich; 5.
Main and shadowy existence(s): works and arrangements in the oeuvre of
Johannes Brahms Michael Struck; 6. Brahms arranges his symphonies Robert
Pascall; 7. At the piano with Joseph and Johannes: Joachim's overtures in
Brahms's circle Valerie Woodring Goertzen; 8. Brahms and his arrangers
Helen Paskins, Katy Hamilton and Natasha Loges; 9. Brahms in the
Wittgenstein homes: a memoir and letters Styra Avins; 10. The construction
of gender and mores in Brahms's Mädchenlieder Heather Platt; 11. Music
inside the home and outside the box: Brahms's vocal quartets in context
Katy Hamilton; 12. The limits of the Lied: Brahms's Magelone-Romanzen Op.
33 Natasha Loges; 13. Being (like) Brahms: emulation and ideology in late
nineteenth-century Hausmusik Markus Böggemann; 14. The cultural dialectics
of chamber music: Adorno and the visual-acoustic imaginary of Bildung
Richard Leppert.