The book is about the critical reception of Brahms and his music during his lifetime and shortly after. It explores how the idea of "art religion"--the idea that art could replace religion for spirituality and how musicians could be priests of music--and gender notions intersected in that reception.
The book is about the critical reception of Brahms and his music during his lifetime and shortly after. It explores how the idea of "art religion"--the idea that art could replace religion for spirituality and how musicians could be priests of music--and gender notions intersected in that reception.
Laurie McManus is Associate Professor and Area Coordinator of Music Literature at Shenandoah Conservatory of Shenandoah University in Winchester, VA.
Inhaltsangabe
* Introduction * Chapter 1. Imperatives of Purity and Sensuality * Chapter 2. A Post-Romantic Priest of Music * Chapter 3. Priestesses of Art * Chapter 4. The Temptation of Opera * Chapter 5. Ambiguities of the Priesthood * Chapter 6. Prostitutes, Trauma, and Biographical Hermeneutics of the Fin-de-Siècle * Epilogue. Musical Priesthood, Canon Formation, and the Regulation of Performance * Bibliography * Index
* Introduction * Chapter 1. Imperatives of Purity and Sensuality * Chapter 2. A Post-Romantic Priest of Music * Chapter 3. Priestesses of Art * Chapter 4. The Temptation of Opera * Chapter 5. Ambiguities of the Priesthood * Chapter 6. Prostitutes, Trauma, and Biographical Hermeneutics of the Fin-de-Siècle * Epilogue. Musical Priesthood, Canon Formation, and the Regulation of Performance * Bibliography * Index
Es gelten unsere Allgemeinen Geschäftsbedingungen: www.buecher.de/agb
Impressum
www.buecher.de ist ein Shop der buecher.de GmbH & Co. KG Bürgermeister-Wegele-Str. 12, 86167 Augsburg Amtsgericht Augsburg HRA 13309