A unique insight into the relationship between Brahms's music and his philosophical and literary context from a modernist perspective.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Nicole Grimes is Assistant Professor of Music at the University of California, Irvine. She serves on the Editorial Board of Music Analysis and is a member of the Board of Directors of the American Brahms Society. Previous works include Mendelssohn Perspectives (2012) and Rethinking Hanslick: Music, Formalism, and Expression (2013).
Inhaltsangabe
Introduction 1. Brahms's ascending circle: Hölderlin and Schicksalslied 2. The ennoblement of mourning: Nänie and the death of beauty 3. A disembodied head for mythic justice: Gesang der Parzen 4. The last great cultural harvest: Nietzsche and the Vier ernste Gesänge 5. The sense of an ending: music's return to the land of childhood Epilogue.
Introduction 1. Brahms's ascending circle: Hölderlin and Schicksalslied 2. The ennoblement of mourning: Nänie and the death of beauty 3. A disembodied head for mythic justice: Gesang der Parzen 4. The last great cultural harvest: Nietzsche and the Vier ernste Gesänge 5. The sense of an ending: music's return to the land of childhood Epilogue.
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