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The Brazilian Art Song Anthology presents 25 art songs for voice and piano composed within a span of about one hundred and fifty years, between 1800 and 1950 approximately. The album provides the phonetic transcription of sung Brazilian Portuguese (BP) and the translation into English. The main objective of the phonetic transcription is to indicate the pronunciation of the language for speakers of other languages. It also helps with lyric diction, bringing attention to the points of articulation and sound production in the vocal tract and promoting the standardization of phoneme emission. The…mehr

Produktbeschreibung
The Brazilian Art Song Anthology presents 25 art songs for voice and piano composed within a span of about one hundred and fifty years, between 1800 and 1950 approximately. The album provides the phonetic transcription of sung Brazilian Portuguese (BP) and the translation into English. The main objective of the phonetic transcription is to indicate the pronunciation of the language for speakers of other languages. It also helps with lyric diction, bringing attention to the points of articulation and sound production in the vocal tract and promoting the standardization of phoneme emission. The translation of the collection into English facilitates the foreign reader's understanding of the album's proposal and the textual content of the songs. We chose to maintain the musical terms in the scores used by the composer. A glossary is provided with definitions of musical and Brazilian Portuguese terms which are used throughout the text and in the poems.
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Autorenporträt
Carol McDavit, Doctor of Music from UNIRIO and Master in Music from the Manhattan School of Music in New York, has sung leading roles in the opera seasons of the most important theaters in Brazil, in particular in La Bohème, Fidelio, Orfeo, Die Zauberflöte and Carmen and has performed as soloist with the principal symphony orchestras, in works of Bach, Mozart, Handel, Beethoven, Britten, Poulenc, among others. As a chamber musician, she has sung hundreds of recitals in Brazil and abroad, with special emphasis on Brazilian and American music, having presented several premières. She recorded Villa-Lobos' Bachianas Brasileiras No. 5 in the composer's centennial commemorative video, and was a soloist of this work, accompanied by 235 cellos, at the closing concert of the World Cello Congress in Baltimore, USA. Her recordings include sacred works by Nunes Garcia, the oratorio Colombo by Carlos Gomes and collections of Brazilian songs in duo with pianist Maria Teresa Madeira and guitarist Turíbio Santos. She has conducted workshops and courses on Brazilian song in Germany, France, Canada and the USA. She is professor of voice, diction, repertoire and opera at the Villa-Lobos Institute of the Universidade Federal do Estado do Rio de Janeiro (UNIRIO), where she also coordinates the Opera at UNIRIO Project, now in its 15th edition.