After the Brazilian military took power in a coup in 1964, many artists tried to distance themselves from politics; others went into exile. This book covers the most culturally repressive years of the regime, from 1968-74 and looks at artists who found their own visual language of resistance, outside government-controlled cultural centers or the militant left.
After the Brazilian military took power in a coup in 1964, many artists tried to distance themselves from politics; others went into exile. This book covers the most culturally repressive years of the regime, from 1968-74 and looks at artists who found their own visual language of resistance, outside government-controlled cultural centers or the militant left.
List of Illustrations ix Preface and Acknowledgments xiii Abbreviations and a Note on Translation xvii Introduction 1 1. "Non à la Biennale de São Paulo" 10 2. Antonio Manuel: "Experimental Exercise of Freedom" 37 3. Artur Barrio: A New Visual Aesthetics 79 4. Cildo Meireles: Clandestine Art 114 Conclusion. Opening the Wounds: Longing for Closure 147 Appendix 1. Dossier . "Non à la Biennale de São Paulo" 155 Appendix 2. Chronology of Exhibitions 159 Notes 163 Bibliography 185 Index 199
List of Illustrations ix Preface and Acknowledgments xiii Abbreviations and a Note on Translation xvii Introduction 1 1. "Non à la Biennale de São Paulo" 10 2. Antonio Manuel: "Experimental Exercise of Freedom" 37 3. Artur Barrio: A New Visual Aesthetics 79 4. Cildo Meireles: Clandestine Art 114 Conclusion. Opening the Wounds: Longing for Closure 147 Appendix 1. Dossier . "Non à la Biennale de São Paulo" 155 Appendix 2. Chronology of Exhibitions 159 Notes 163 Bibliography 185 Index 199
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