Christopher Dunn / Charles A. Perrone (eds.)
Brazilian Popular Music & Globalization
Herausgeber: Perrone, Charles A; Dunn, Christopher
Christopher Dunn / Charles A. Perrone (eds.)
Brazilian Popular Music & Globalization
Herausgeber: Perrone, Charles A; Dunn, Christopher
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This collection of articles by leading scholars traces the history of Brazilian pop music through the twentieth-century.
This collection of articles by leading scholars traces the history of Brazilian pop music through the twentieth-century.
Produktdetails
- Produktdetails
- Verlag: Taylor & Francis
- Seitenzahl: 272
- Erscheinungstermin: 26. September 2001
- Englisch
- Abmessung: 227mm x 153mm x 20mm
- Gewicht: 422g
- ISBN-13: 9780415936958
- ISBN-10: 0415936950
- Artikelnr.: 21126715
- Verlag: Taylor & Francis
- Seitenzahl: 272
- Erscheinungstermin: 26. September 2001
- Englisch
- Abmessung: 227mm x 153mm x 20mm
- Gewicht: 422g
- ISBN-13: 9780415936958
- ISBN-10: 0415936950
- Artikelnr.: 21126715
Charles A. Perrone (PhD Texas 1985) is Professor of Portuguese and Luso-Brazilian Literature and Culture at the University of Florida. He is the author of Masters of Contemporary Brazilian Song: MPB 1965-1985 (Texas, 1989), Seven Faces: Brazilian Poetry since Modernism (Duke, 1996) and translators/editor of several books. He lives in Jacksonville, FL. Christopher Dunn (Ph D Brown 1996) is Assistant Professor at Tulane University, where he holds a joint appointment in the Department of Spanish and Portuguese and in the African and African Diaspora Studies Program. He is the author of a forthcoming book on the Tropicalist movement in Brazil and a contributor to Encarta on Afro-Brazilian topics including new popular music. He lives in New Orleans, LA.
List of Illustrations Preface 1. Chiclete con Banana: Internationalization in Brazilian Popular Music
Charles A. Perrone and Christopher Dunn 2. Carmen Mirandadada
Caetano Veloso 3. Myth
Melopeia
and Mimesis: Black Orpheus
Orfeu
and Internationalization in Brazilian Popular Music
Charles A. Perrone 4. Tropicália
Counterculture
and the Diasporic Imagination in Brazil
Christopher Dunn 5. Globalizing Caetano Veloso: Globalization as Seen through a Brazilian Pop Prism
Liv Socik 6. Cannibals
Mutants
and Hipsters: The Tropicalist Revival
John J. Harvey 7. Defeated Rallies
Mournful Anthems
and the Origins of Brazilian Heavy Metal
Idleber Avelar 8. The Localization of Global Funk in Bahia and in Rio
Livio Sansone 9. World of Fantasy
Fantasy of the World: Geographic Space and Representation of Identity in the Carnival of Salvador
Bahia
Milton Araújo Moura 10. Songs of Olodum: Ethnicity
Activism
and Art in Globalized Carnival Community
Piers Armstrong 11. Fogo na Babilonia: Reggae
Black Counterculture
and Globalization in Brazil
Osmundo de Araújo Pinho 12. Reggae and Samba-Reggae in Bahia: A Case of Long-distance Belonging
Antonio J. V. dos Santos Godi 13. Black or Brau: Music and Subjectivity in a Global Context
Ari Lima 14. Turned-Around Beat: Maracatu de Basque Virado amd Chico Science
Larry Crook 15. Self-Discovery in Brazilian Popular Music: Mestre Ambrósio
John Murphy 16. Good Blood in the Veins of This Brazilian Rio
or a Cannibalist Transnationalism
Fredrick Moehn Contributors Copyrights and Acknowledgements Index
Charles A. Perrone and Christopher Dunn 2. Carmen Mirandadada
Caetano Veloso 3. Myth
Melopeia
and Mimesis: Black Orpheus
Orfeu
and Internationalization in Brazilian Popular Music
Charles A. Perrone 4. Tropicália
Counterculture
and the Diasporic Imagination in Brazil
Christopher Dunn 5. Globalizing Caetano Veloso: Globalization as Seen through a Brazilian Pop Prism
Liv Socik 6. Cannibals
Mutants
and Hipsters: The Tropicalist Revival
John J. Harvey 7. Defeated Rallies
Mournful Anthems
and the Origins of Brazilian Heavy Metal
Idleber Avelar 8. The Localization of Global Funk in Bahia and in Rio
Livio Sansone 9. World of Fantasy
Fantasy of the World: Geographic Space and Representation of Identity in the Carnival of Salvador
Bahia
Milton Araújo Moura 10. Songs of Olodum: Ethnicity
Activism
and Art in Globalized Carnival Community
Piers Armstrong 11. Fogo na Babilonia: Reggae
Black Counterculture
and Globalization in Brazil
Osmundo de Araújo Pinho 12. Reggae and Samba-Reggae in Bahia: A Case of Long-distance Belonging
Antonio J. V. dos Santos Godi 13. Black or Brau: Music and Subjectivity in a Global Context
Ari Lima 14. Turned-Around Beat: Maracatu de Basque Virado amd Chico Science
Larry Crook 15. Self-Discovery in Brazilian Popular Music: Mestre Ambrósio
John Murphy 16. Good Blood in the Veins of This Brazilian Rio
or a Cannibalist Transnationalism
Fredrick Moehn Contributors Copyrights and Acknowledgements Index
List of Illustrations Preface 1. Chiclete con Banana: Internationalization in Brazilian Popular Music
Charles A. Perrone and Christopher Dunn 2. Carmen Mirandadada
Caetano Veloso 3. Myth
Melopeia
and Mimesis: Black Orpheus
Orfeu
and Internationalization in Brazilian Popular Music
Charles A. Perrone 4. Tropicália
Counterculture
and the Diasporic Imagination in Brazil
Christopher Dunn 5. Globalizing Caetano Veloso: Globalization as Seen through a Brazilian Pop Prism
Liv Socik 6. Cannibals
Mutants
and Hipsters: The Tropicalist Revival
John J. Harvey 7. Defeated Rallies
Mournful Anthems
and the Origins of Brazilian Heavy Metal
Idleber Avelar 8. The Localization of Global Funk in Bahia and in Rio
Livio Sansone 9. World of Fantasy
Fantasy of the World: Geographic Space and Representation of Identity in the Carnival of Salvador
Bahia
Milton Araújo Moura 10. Songs of Olodum: Ethnicity
Activism
and Art in Globalized Carnival Community
Piers Armstrong 11. Fogo na Babilonia: Reggae
Black Counterculture
and Globalization in Brazil
Osmundo de Araújo Pinho 12. Reggae and Samba-Reggae in Bahia: A Case of Long-distance Belonging
Antonio J. V. dos Santos Godi 13. Black or Brau: Music and Subjectivity in a Global Context
Ari Lima 14. Turned-Around Beat: Maracatu de Basque Virado amd Chico Science
Larry Crook 15. Self-Discovery in Brazilian Popular Music: Mestre Ambrósio
John Murphy 16. Good Blood in the Veins of This Brazilian Rio
or a Cannibalist Transnationalism
Fredrick Moehn Contributors Copyrights and Acknowledgements Index
Charles A. Perrone and Christopher Dunn 2. Carmen Mirandadada
Caetano Veloso 3. Myth
Melopeia
and Mimesis: Black Orpheus
Orfeu
and Internationalization in Brazilian Popular Music
Charles A. Perrone 4. Tropicália
Counterculture
and the Diasporic Imagination in Brazil
Christopher Dunn 5. Globalizing Caetano Veloso: Globalization as Seen through a Brazilian Pop Prism
Liv Socik 6. Cannibals
Mutants
and Hipsters: The Tropicalist Revival
John J. Harvey 7. Defeated Rallies
Mournful Anthems
and the Origins of Brazilian Heavy Metal
Idleber Avelar 8. The Localization of Global Funk in Bahia and in Rio
Livio Sansone 9. World of Fantasy
Fantasy of the World: Geographic Space and Representation of Identity in the Carnival of Salvador
Bahia
Milton Araújo Moura 10. Songs of Olodum: Ethnicity
Activism
and Art in Globalized Carnival Community
Piers Armstrong 11. Fogo na Babilonia: Reggae
Black Counterculture
and Globalization in Brazil
Osmundo de Araújo Pinho 12. Reggae and Samba-Reggae in Bahia: A Case of Long-distance Belonging
Antonio J. V. dos Santos Godi 13. Black or Brau: Music and Subjectivity in a Global Context
Ari Lima 14. Turned-Around Beat: Maracatu de Basque Virado amd Chico Science
Larry Crook 15. Self-Discovery in Brazilian Popular Music: Mestre Ambrósio
John Murphy 16. Good Blood in the Veins of This Brazilian Rio
or a Cannibalist Transnationalism
Fredrick Moehn Contributors Copyrights and Acknowledgements Index