This collection of articles by leading scholars traces the history of Brazilian pop music through the twentieth-century.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Charles A. Perrone (PhD Texas 1985) is Professor of Portuguese and Luso-Brazilian Literature and Culture at the University of Florida. He is the author of Masters of Contemporary Brazilian Song: MPB 1965-1985 (Texas, 1989), Seven Faces: Brazilian Poetry since Modernism (Duke, 1996) and translators/editor of several books. He lives in Jacksonville, FL. Christopher Dunn (Ph D Brown 1996) is Assistant Professor at Tulane University, where he holds a joint appointment in the Department of Spanish and Portuguese and in the African and African Diaspora Studies Program. He is the author of a forthcoming book on the Tropicalist movement in Brazil and a contributor to Encarta on Afro-Brazilian topics including new popular music. He lives in New Orleans, LA.
Inhaltsangabe
List of Illustrations Preface 1. Chiclete con Banana: Internationalization in Brazilian Popular Music Charles A. Perrone and Christopher Dunn 2. Carmen Mirandadada Caetano Veloso 3. Myth Melopeia and Mimesis: Black Orpheus Orfeu and Internationalization in Brazilian Popular Music Charles A. Perrone 4. Tropicália Counterculture and the Diasporic Imagination in Brazil Christopher Dunn 5. Globalizing Caetano Veloso: Globalization as Seen through a Brazilian Pop Prism Liv Socik 6. Cannibals Mutants and Hipsters: The Tropicalist Revival John J. Harvey 7. Defeated Rallies Mournful Anthems and the Origins of Brazilian Heavy Metal Idleber Avelar 8. The Localization of Global Funk in Bahia and in Rio Livio Sansone 9. World of Fantasy Fantasy of the World: Geographic Space and Representation of Identity in the Carnival of Salvador Bahia Milton Araújo Moura 10. Songs of Olodum: Ethnicity Activism and Art in Globalized Carnival Community Piers Armstrong 11. Fogo na Babilonia: Reggae Black Counterculture and Globalization in Brazil Osmundo de Araújo Pinho 12. Reggae and Samba-Reggae in Bahia: A Case of Long-distance Belonging Antonio J. V. dos Santos Godi 13. Black or Brau: Music and Subjectivity in a Global Context Ari Lima 14. Turned-Around Beat: Maracatu de Basque Virado amd Chico Science Larry Crook 15. Self-Discovery in Brazilian Popular Music: Mestre Ambrósio John Murphy 16. Good Blood in the Veins of This Brazilian Rio or a Cannibalist Transnationalism Fredrick Moehn Contributors Copyrights and Acknowledgements Index
List of Illustrations Preface 1. Chiclete con Banana: Internationalization in Brazilian Popular Music Charles A. Perrone and Christopher Dunn 2. Carmen Mirandadada Caetano Veloso 3. Myth Melopeia and Mimesis: Black Orpheus Orfeu and Internationalization in Brazilian Popular Music Charles A. Perrone 4. Tropicália Counterculture and the Diasporic Imagination in Brazil Christopher Dunn 5. Globalizing Caetano Veloso: Globalization as Seen through a Brazilian Pop Prism Liv Socik 6. Cannibals Mutants and Hipsters: The Tropicalist Revival John J. Harvey 7. Defeated Rallies Mournful Anthems and the Origins of Brazilian Heavy Metal Idleber Avelar 8. The Localization of Global Funk in Bahia and in Rio Livio Sansone 9. World of Fantasy Fantasy of the World: Geographic Space and Representation of Identity in the Carnival of Salvador Bahia Milton Araújo Moura 10. Songs of Olodum: Ethnicity Activism and Art in Globalized Carnival Community Piers Armstrong 11. Fogo na Babilonia: Reggae Black Counterculture and Globalization in Brazil Osmundo de Araújo Pinho 12. Reggae and Samba-Reggae in Bahia: A Case of Long-distance Belonging Antonio J. V. dos Santos Godi 13. Black or Brau: Music and Subjectivity in a Global Context Ari Lima 14. Turned-Around Beat: Maracatu de Basque Virado amd Chico Science Larry Crook 15. Self-Discovery in Brazilian Popular Music: Mestre Ambrósio John Murphy 16. Good Blood in the Veins of This Brazilian Rio or a Cannibalist Transnationalism Fredrick Moehn Contributors Copyrights and Acknowledgements Index
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