63,99 €
inkl. MwSt.
Versandkostenfrei*
Versandfertig in 1-2 Wochen
payback
32 °P sammeln
  • Broschiertes Buch

How did Brazilian theater survive under the military dictatorship of 1964-1985? How did it change once the regime was over? This collection of new essays is the first to cover Brazilian theater during this period. Brazilian scholars and artists discuss the history of a theater community that not only resisted the regime but reinvented itself and continued to develop more sophisticated forms of expression even in the face of competition from television and other media. The contributors recount the struggle to stage meaningful plays at a time when some artists and intellectuals were exiled,…mehr

Produktbeschreibung
How did Brazilian theater survive under the military dictatorship of 1964-1985? How did it change once the regime was over? This collection of new essays is the first to cover Brazilian theater during this period. Brazilian scholars and artists discuss the history of a theater community that not only resisted the regime but reinvented itself and continued to develop more sophisticated forms of expression even in the face of competition from television and other media. The contributors recount the struggle to stage meaningful plays at a time when some artists and intellectuals were exiled, others imprisoned, tortured or killed. With the return of democracy other important issues arose: how to ensure space for different practices and for regional theater, and how to continue producing international plays that could be meaningful for a Brazilian audience.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Autorenporträt
Eva Paulino Bueno is a professor of Spanish and Portuguese and Chair of the Department of Languages at St. Mary's University in San Antonio, Texas. She has published widely on Brazilian literature and popular culture, as well as on comparative literature and feminist studies. Robson Corrêa de Camargo is a professor of drama and performance at the Universidade Federal de Goiás, Brazil, where he heads the Ph.D. Program of Cultural Performances. He has also been a theater critic with the newspaper Folha de São Paulo and the magazine Movimento.