Serge Guilbaut is Professor Emeritus of Art History at the University of British Columbia and the author and editor of several books, including How New York Stole the Idea of Modern Art: Abstract Expressionism, Freedom, and the Cold War. ¿ John O'Brian is Professor of Art History and Faculty Associate of the Peter Wall Institute for Advanced Studies at the University of British Columbia and the author and editor of several books, most recently, Camera Atomica.
Serge Guilbaut is Professor Emeritus of Art History at the University of British Columbia and the author and editor of several books, including How New York Stole the Idea of Modern Art: Abstract Expressionism, Freedom, and the Cold War. ¿ John O'Brian is Professor of Art History and Faculty Associate of the Peter Wall Institute for Advanced Studies at the University of British Columbia and the author and editor of several books, most recently, Camera Atomica.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Serge Guilbaut is Professor Emeritus of Art History at the University of British Columbia and the author and editor of several books, including How New York Stole the Idea of Modern Art: Abstract Expressionism, Freedom, and the Cold War. John O'Brian is Professor of Art History and Faculty Associate of the Peter Wall Institute for Advanced Studies at the University of British Columbia and the author and editor of several books, most recently, Camera Atomica.
Inhaltsangabe
Acknowledgments vii Introduction / Serge Guilbaut and John O'Brien 1 1. Cahiers du Cinéma Interview / Jean-Luc Godard 22 Part I. Cheek to Cheek in Paris and New York 2. Marcel Duchamp: The Signature Machine—Identity, Authority, Dispossession / Hadrien Laroche 31 3. The Young and the Old / Richard Leeman 60 4. Redefining the Boundaries of Culture: The French Experience of Jazz / Ludovic Tournès 82 5. A Critical Season for Alan Katz / Éric de Chassey 99 6. The Cacodylic Mind: Francis Picabia and the Neo-Avant-Garde, 1953–1963 / Tom McDonough 112 Part II. Violence, Machines, and Bodies 7. The Paradox of Time: Nouveau Réalisme's Curious "Archaeology of the Present" / Jill Carrick 129 8. To Be an "Exemplary" Machine: Tinguely's Homage to New York / Mari Dumett 152 9. Naked Lunch and the Neighbor / Clint Burnbaum 177 10. Bodybuilding or Bodycrushing? From Art to Theater: From Bodies to Corpses, a Rhizomatic Meditation on the Contemporary West / Regis Michel 191 Part III. Time Is Longer Than Any Distance 11. Action Writing/Action Reading / Luc Lang 205 12. From the Genius in the Mountain to the Party in the Dark: Art, Cinema, and Cultural Politics at the Beginning of the Cuban Revolution / Antonio Eligio (Tonel) 211 13. Disorder and Progress in Brazilian Visual Culture, 1959 / Aleca Le Blanc 234 14. That Tingling Sensation: 1959 and William Castle's The Tingler / Kjetil Radje 255 15. Atopic Atomic: Picro Manzoni's Space-Age Subtext and the "Ins and Outs" of the Modern Intellectual / Carla Benzan 275 Selected Bibliography 313 Contributors 319 Index 323
Acknowledgments vii Introduction / Serge Guilbaut and John O'Brien 1 1. Cahiers du Cinéma Interview / Jean-Luc Godard 22 Part I. Cheek to Cheek in Paris and New York 2. Marcel Duchamp: The Signature Machine—Identity, Authority, Dispossession / Hadrien Laroche 31 3. The Young and the Old / Richard Leeman 60 4. Redefining the Boundaries of Culture: The French Experience of Jazz / Ludovic Tournès 82 5. A Critical Season for Alan Katz / Éric de Chassey 99 6. The Cacodylic Mind: Francis Picabia and the Neo-Avant-Garde, 1953–1963 / Tom McDonough 112 Part II. Violence, Machines, and Bodies 7. The Paradox of Time: Nouveau Réalisme's Curious "Archaeology of the Present" / Jill Carrick 129 8. To Be an "Exemplary" Machine: Tinguely's Homage to New York / Mari Dumett 152 9. Naked Lunch and the Neighbor / Clint Burnbaum 177 10. Bodybuilding or Bodycrushing? From Art to Theater: From Bodies to Corpses, a Rhizomatic Meditation on the Contemporary West / Regis Michel 191 Part III. Time Is Longer Than Any Distance 11. Action Writing/Action Reading / Luc Lang 205 12. From the Genius in the Mountain to the Party in the Dark: Art, Cinema, and Cultural Politics at the Beginning of the Cuban Revolution / Antonio Eligio (Tonel) 211 13. Disorder and Progress in Brazilian Visual Culture, 1959 / Aleca Le Blanc 234 14. That Tingling Sensation: 1959 and William Castle's The Tingler / Kjetil Radje 255 15. Atopic Atomic: Picro Manzoni's Space-Age Subtext and the "Ins and Outs" of the Modern Intellectual / Carla Benzan 275 Selected Bibliography 313 Contributors 319 Index 323
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