Considers the proliferation of popular literary culture in the U.S.--from Oprah's book club to Miramax film adaptations to chick lit.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Jim Collins is Professor of Film and Television, and English at the University of Notre Dame. He is the author of Architectures of Excess: Cultural Life in the Information Age and Uncommon Cultures: Popular Culture and Post-Modernism; the editor of High-Pop: Making Culture into Popular Entertainment; and a co-editor of Film Theory Goes to the Movies.
Inhaltsangabe
Acknowledgments vii Introduction: Digital Books, Beach Chairs, and Popular Literary Culture 1 Part I. The New Infrastructure of Reading: Sites, Delivery Systems, Authorities 1. The End of Civilization (or at Least Civilized Reading) as You Know It: Barnes & Noble, Amazon.com, and Self-Cultivation 39 2. Book Clubs, Book Lust, and National Librarians: Literary Connoisseurship as Popular Entertainment 80 Part II. The Literary Experience in Visual Cultures 3. The Movie Was Better: The Rise of the Cine-Literary 117 4. "Miramaxing": Beyond Mere Adaptation 141 Part III. Popular Literary Fiction 5. Sex and the Post-Literary City 183 6. The Devoutly Literary Bestseller 221 Bibliography 267 Index 271
Acknowledgments vii Introduction: Digital Books, Beach Chairs, and Popular Literary Culture 1 Part I. The New Infrastructure of Reading: Sites, Delivery Systems, Authorities 1. The End of Civilization (or at Least Civilized Reading) as You Know It: Barnes & Noble, Amazon.com, and Self-Cultivation 39 2. Book Clubs, Book Lust, and National Librarians: Literary Connoisseurship as Popular Entertainment 80 Part II. The Literary Experience in Visual Cultures 3. The Movie Was Better: The Rise of the Cine-Literary 117 4. "Miramaxing": Beyond Mere Adaptation 141 Part III. Popular Literary Fiction 5. Sex and the Post-Literary City 183 6. The Devoutly Literary Bestseller 221 Bibliography 267 Index 271
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