Jill Franks

British and Irish Women Writers and the Women's Movement

Six Literary Voices of Their Times

• Broschiertes Buch

Produktbeschreibung

This study pairs selected Irish and British women novelists of three periods, relating their voices to the women's movements in their respective nations. In the first wave, nationalist and militant ideologies competed with the suffrage fight in Ireland. Elizabeth Bowen's The Last September illustrates the melancholy of gender performance and confusion of ethnic identity in the dying Anglo-Irish Ascendancy class. In England, suffrage ideologies clashed with socialism and patriotism. Virginia Woolf's Mrs. Dalloway contains a political unconscious that links its characters across class and gender. In the second wave, heterosexual romantic relationships come under scrutiny. Edna O'Brien's Country Girls trilogy reveals ways in which Irish Catholic ideologies abject femaleness; her characters internalize this abjection to the point of self-destruction. Doris Lessing's The Golden Notebook pits the protagonist's aspirations to write novels against the Communist Party's prohibitions on bourgeois values. In the third wave, Irish writers express the frustrations of their cultural identity. Nuala O'Faolain's My Dream of You takes her protagonist back to Ireland to heal her psychic wounds. In England, Thatcherism had created a materialistic culture that eroded many feminists' socialist values. Fay Weldon's Big Woman satirizes the demise of second-wave idealism, asking where feminism can go from here.

---

Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.

Produktdetails

• Verlag: McFarland
• Seitenzahl: 232
• Erscheinungstermin: 22. Februar 2013
• Englisch
• Abmessung: 229mm x 152mm x 14mm
• Gewicht: 383g
• ISBN-13: 9780786474080
• ISBN-10: 0786474084
• Artikelnr.: 36838962

Autorenporträt

Jill Franks teaches English literature and film at the University of Massachusetts Amherst.

Inhaltsangabe

Table of Contents Acknowledgments Preface Introduction.
Why Voices, Gynocritics and Biography Matter One.
"Cherish all the children of the nation equally": The Irish Women's Movement Two.
"Deeds, Not Words": The British Women's Movement Three.
The 1920s: Androgyny and Gender Performance in Virginia Woolf's Mrs. Dalloway and Elizabeth Bowen's The Last September Four.
The 1960s: Hegemonies and the Abject in Doris Lessing's The Golden Notebook and Edna O'Brien's The Country Girls Trilogy Five.
Turn of the 21st Century: Individualist and Communal Values in Fay Weldon's Big Women and Nuala O'Faolain's My Dream of You Conclusion.
Comparative Analysis Chapter Notes Works Cited Index