British art for Australia, 1860-1953: The Acquisition of Artworks from the United Kingdom by Australian National Galleries represents the first systematic and comparative study of collecting British art in Australia between 1860 and 1953 using the archives of the Australian national galleries and other key Australian and UK institutions.
British art for Australia, 1860-1953: The Acquisition of Artworks from the United Kingdom by Australian National Galleries represents the first systematic and comparative study of collecting British art in Australia between 1860 and 1953 using the archives of the Australian national galleries and other key Australian and UK institutions.
Matthew C. Potter is an associate professor and reader in art and design history at Northumbria University, UK
Inhaltsangabe
Chapter One: British Art for Australia, 1860-1953: An Introduction Chapter Two: 'Work that would meet the taste of the Colonists': British art for Antipodean Britons Chapter Three: 'The civilization of the people': Australian national galleries and civic humanism Chapter Four: 'A more extended area for English art': The British world and the imperial art market Chapter Five: 'The best equipped agent, with as free a hand': advisors and selectors of British art for Australia Chapter Six: 'A Sop to Cerberus': Collecting the British Old Masters in Australia Chapter Seven: 'One of the many Colonial Delusions': Australian national galleries and British Landscape Painting Chapter Eight: 'No highly desirable Pre-Raphaelite picture should be spared from home': the antipodean pursuit of a British acme Chapter Nine: 'The gap that is steadily widening': the acquisition of 'insular' British Modernism by Australian national galleries, 1900-1953 Chapter Ten: Conclusions
Chapter One: British Art for Australia, 1860-1953: An Introduction Chapter Two: 'Work that would meet the taste of the Colonists': British art for Antipodean Britons Chapter Three: 'The civilization of the people': Australian national galleries and civic humanism Chapter Four: 'A more extended area for English art': The British world and the imperial art market Chapter Five: 'The best equipped agent, with as free a hand': advisors and selectors of British art for Australia Chapter Six: 'A Sop to Cerberus': Collecting the British Old Masters in Australia Chapter Seven: 'One of the many Colonial Delusions': Australian national galleries and British Landscape Painting Chapter Eight: 'No highly desirable Pre-Raphaelite picture should be spared from home': the antipodean pursuit of a British acme Chapter Nine: 'The gap that is steadily widening': the acquisition of 'insular' British Modernism by Australian national galleries, 1900-1953 Chapter Ten: Conclusions
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