Rooted in the study of objects, this book addresses the role of art and visual culture in discourses surrounding nuclear science and technology, atomic power, and nuclear warfare in Cold War Britain. Far from insular in its concerns, this volume draws upon cross-cultural dialogues between British and European artists and the relationship between Britain and America to engage with an interdisciplinary art history that will also prove useful to researchers in a variety of fields including European history, politics, design history, anthropology, and media.
Rooted in the study of objects, this book addresses the role of art and visual culture in discourses surrounding nuclear science and technology, atomic power, and nuclear warfare in Cold War Britain. Far from insular in its concerns, this volume draws upon cross-cultural dialogues between British and European artists and the relationship between Britain and America to engage with an interdisciplinary art history that will also prove useful to researchers in a variety of fields including European history, politics, design history, anthropology, and media.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
Produktdetails
British Art: Histories and Interpretations since 1700
Catherine Jolivette is Associate Professor of Art & Design, Missouri State University, USA, and author of Landscape, Art and Identity in 1950s Britain.
Inhaltsangabe
Contents: Introduction Catherine Jolivette; 'A kind of cold war feeling' in British art 1945-1952 Carol Jacobi; Geometries of hope and fear: the iconography of atomic science and nuclear anxiety in the modern sculpture of World War and Cold War Britain Robert Burstow; 'An imagined cataclysm becomes fact': British photojournalism and real and imagined nuclear war in Picture Post Christoph Laucht; Representations of atomic power at the Festival of Britain Catherine Jolivette; The genius loci of Cold War Britain: the metamorphic landscapes of Graham Sutherland Peter Lanyon and Alan Reynolds Fiona Gaskin; Cold War at home: John Bratby the self and the nuclear threat Gregory Salter; Covert resistance: Prunella Clough's Cold War 'urbscapes' Catherine Spencer; The aesthetics of scientific authority in a nuclear age: Jacob Bronowski and Feliks Topolski Kate Aspinall; Painting the end: British artists and the nuclear apocalypse 1945-1970 Simon Martin; Select bibliography; Index.
Contents: Introduction Catherine Jolivette; 'A kind of cold war feeling' in British art 1945-1952 Carol Jacobi; Geometries of hope and fear: the iconography of atomic science and nuclear anxiety in the modern sculpture of World War and Cold War Britain Robert Burstow; 'An imagined cataclysm becomes fact': British photojournalism and real and imagined nuclear war in Picture Post Christoph Laucht; Representations of atomic power at the Festival of Britain Catherine Jolivette; The genius loci of Cold War Britain: the metamorphic landscapes of Graham Sutherland Peter Lanyon and Alan Reynolds Fiona Gaskin; Cold War at home: John Bratby the self and the nuclear threat Gregory Salter; Covert resistance: Prunella Clough's Cold War 'urbscapes' Catherine Spencer; The aesthetics of scientific authority in a nuclear age: Jacob Bronowski and Feliks Topolski Kate Aspinall; Painting the end: British artists and the nuclear apocalypse 1945-1970 Simon Martin; Select bibliography; Index.
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