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In the 1950s, British cinema won large audiences with popular war films and comedies. This text explores some of the key debates about British cinema and film theory, and examines the curious mix of rebellion and conformity which marked British cinema in the post-war era.
In British Cinema 1945-63, Christine Geraghty examines some of the most popular films of this period, exploring the ways in which they reworked contemporary social issues and themes such as national identity.

Produktbeschreibung
In the 1950s, British cinema won large audiences with popular war films and comedies. This text explores some of the key debates about British cinema and film theory, and examines the curious mix of rebellion and conformity which marked British cinema in the post-war era.
In British Cinema 1945-63, Christine Geraghty examines some of the most popular films of this period, exploring the ways in which they reworked contemporary social issues and themes such as national identity.
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Autorenporträt
Christine Geraghty is a Senior Lecturer in Media and Communications at Goldsmiths College, University of London. She is the author of Women and Soap Opera (Polity, 1991), the co-editor of The Television Studies Book (Arnold, 1998) and has contributed essays on British cinema to a number of important collections.