Offers a startling re-evaluation of what has until now been seen as the most critically lacklustre period of the British film history. Covers a variety of genres, such as B-movies, war films, women's pictures and theatrical adaptations; as well as social issues which affect film-making, such as censorship. Includes fresh assessment of maverick directors; Pat Jackson, Robert Hamer and Joseph Losey, and even of a maverick critic Raymond Durgnat. Features personal insights from those inidividually implicated in 1950s cinema; Corin Redgrave on Michael Redgrave, Isabel Quigly on film reviewing, and…mehr
Offers a startling re-evaluation of what has until now been seen as the most critically lacklustre period of the British film history. Covers a variety of genres, such as B-movies, war films, women's pictures and theatrical adaptations; as well as social issues which affect film-making, such as censorship. Includes fresh assessment of maverick directors; Pat Jackson, Robert Hamer and Joseph Losey, and even of a maverick critic Raymond Durgnat. Features personal insights from those inidividually implicated in 1950s cinema; Corin Redgrave on Michael Redgrave, Isabel Quigly on film reviewing, and Bryony Dixon of the BFI on archiving and preservation. Presents a provocative challenge to conventional wisdom about 1950s film and rediscovers the Festival of Britain decade. An electronic edition of this book is freely available under a Creative Commons (CC BY-NC-ND) licence.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Ian MacKillop is Professor of English Literature at the University of Sheffield. Neil Sinyard is Senior Lecturer in English at the University of Hull
Inhaltsangabe
Acknowledgements Contents Celebrating British Cinema of the 1950s Ian MacKillop and Neil Sinyard Critics Raymond Durgnat and A Mirror for England Robert Murphy Lindsay Anderson: Sequence and the Rise of the British Auterism Erik Hedling Mirroring England National Snapshots: Fixing the Past in English War Films Fred Inglis Film and the Festival of Britain Sarah Easen Pat Jackson's White Corridors Charles Barr The Long Shadow: Robert Hamer after Ealing Philip Kemp If They Want Culture, They Pay: Consumerism and Alienation in 1950s Comedies Dave Rolinson Boys, Ballet and Begonias: The Spanish Gardener and its Analogues Alison Platt 'The Case of Joseph Losey': His Early British Films Neil Sinyard Painfully Squalid? Women of Twilight Kerry Kidd Yield to the Night Melanie WIlliams From Script to Screen: Film Censorship and Serious Charge Tony Aldgate Housewife's Choice: Woman in a Dressing Gown Melanie Williams Adaptibility Too Theatrical by Half? The Admirable Crichton and Look Back in Anger Stephen Lacey The Cold War and A Tale of Two Cities Robert Giddings Value for Money: Baker and Berman, and Tempean Films Brian MacFarlane Adaptble Terence Rattigan. Separate Tables, Separate Entities? Dominic Shellard Personal Views Archiving the 1950s Bryony Dixon Being the Film Reviewer in the 1950s Isabel Quigly Michael Redgrave and the Mountebank's Tale Corin Redgrave Index
Acknowledgements Contents Celebrating British Cinema of the 1950s Ian MacKillop and Neil Sinyard Critics Raymond Durgnat and A Mirror for England Robert Murphy Lindsay Anderson: Sequence and the Rise of the British Auterism Erik Hedling Mirroring England National Snapshots: Fixing the Past in English War Films Fred Inglis Film and the Festival of Britain Sarah Easen Pat Jackson's White Corridors Charles Barr The Long Shadow: Robert Hamer after Ealing Philip Kemp If They Want Culture, They Pay: Consumerism and Alienation in 1950s Comedies Dave Rolinson Boys, Ballet and Begonias: The Spanish Gardener and its Analogues Alison Platt 'The Case of Joseph Losey': His Early British Films Neil Sinyard Painfully Squalid? Women of Twilight Kerry Kidd Yield to the Night Melanie WIlliams From Script to Screen: Film Censorship and Serious Charge Tony Aldgate Housewife's Choice: Woman in a Dressing Gown Melanie Williams Adaptibility Too Theatrical by Half? The Admirable Crichton and Look Back in Anger Stephen Lacey The Cold War and A Tale of Two Cities Robert Giddings Value for Money: Baker and Berman, and Tempean Films Brian MacFarlane Adaptble Terence Rattigan. Separate Tables, Separate Entities? Dominic Shellard Personal Views Archiving the 1950s Bryony Dixon Being the Film Reviewer in the 1950s Isabel Quigly Michael Redgrave and the Mountebank's Tale Corin Redgrave Index
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