British Musical Criticism and Intellectual Thought, 1850-1950
Herausgeber: Dibble, Jeremy; Horton, Julian
British Musical Criticism and Intellectual Thought, 1850-1950
Herausgeber: Dibble, Jeremy; Horton, Julian
- Gebundenes Buch
- Merkliste
- Auf die Merkliste
- Bewerten Bewerten
- Teilen
- Produkt teilen
- Produkterinnerung
- Produkterinnerung
This collection provides an in-depth look at musical criticism between the mid-nineteenth and the mid-twentieth century.
Andere Kunden interessierten sich auch für
- Music Criticism in France, 1918-1939130,99 €
- Barbara L KellyMusic and Ultra-Modernism in France: A Fragile Consensus, 1913-193962,99 €
- Word, Image, and Song, Vol. 1160,99 €
- The Sea in the British Musical Imagination130,99 €
- Jane F FulcherThe Composer as Intellectual96,99 €
- Beyond Britten: The Composer and the Community65,99 €
- Roger SavageMasques, Mayings and Music-Dramas160,99 €
-
-
-
This collection provides an in-depth look at musical criticism between the mid-nineteenth and the mid-twentieth century.
Produktdetails
- Produktdetails
- Verlag: Boydell & Brewer
- Seitenzahl: 390
- Erscheinungstermin: 15. Juni 2018
- Englisch
- Abmessung: 152mm x 239mm x 30mm
- Gewicht: 816g
- ISBN-13: 9781783272877
- ISBN-10: 1783272872
- Artikelnr.: 50508786
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
- Verlag: Boydell & Brewer
- Seitenzahl: 390
- Erscheinungstermin: 15. Juni 2018
- Englisch
- Abmessung: 152mm x 239mm x 30mm
- Gewicht: 816g
- ISBN-13: 9781783272877
- ISBN-10: 1783272872
- Artikelnr.: 50508786
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
Jeremy Dibble, Julian Horton
Introduction: Trends in British Musical Thought, 1850
1950
Jeremy Dibble and Julian Horton Avoiding 'Coarse Invective' and 'Unseemly Vehemence': English Music Criticism, 1850
1870
Peter Horton Spencer, Sympathy and the Oxford School of Music Criticism
Bennett Zon Free Thought and the Musician: Ernest Walker, the 'English Hanslick'
Jeremy Dibble Ernest Newman and the Promise of Method in Biography, Criticism and History
Paul Watt 'Making Symphony Articulate': Bernard Shaw's Sense of Music History
Harry White Analysis and Value Judgment: Schumann, Bruckner and Tovey's Essays in Musical Analysis
Julian Horton The Scholar as Critic: Edward J. Dent
Karen Arrandale Russia and Eastern Europe
Philip Ross Bullock Anti
Intellectualism and the Rhetoric of 'National Character' in Music: The Vulgarity of Over
Refinement
Sarah Collins Chosen Causes: Writings on Music by Bernard van Dieren, Peter Warlock and Cecil Gray
Séamas de Barra 'Es klang so alt und war doch so neu': Vaughan Williams, Aesthetics and History
Aidan J. Thomson Constant Lambert: A Critic for Today? A Commentary on Music Ho!
Christopher Mark The Challenge to Goodwill: Herbert Howells, Alban Berg and 'The Modern Problem'
Jonathan Clinch Hans Keller: The Making of an 'Anti
Critic'
Select Bibliography
1950
Jeremy Dibble and Julian Horton Avoiding 'Coarse Invective' and 'Unseemly Vehemence': English Music Criticism, 1850
1870
Peter Horton Spencer, Sympathy and the Oxford School of Music Criticism
Bennett Zon Free Thought and the Musician: Ernest Walker, the 'English Hanslick'
Jeremy Dibble Ernest Newman and the Promise of Method in Biography, Criticism and History
Paul Watt 'Making Symphony Articulate': Bernard Shaw's Sense of Music History
Harry White Analysis and Value Judgment: Schumann, Bruckner and Tovey's Essays in Musical Analysis
Julian Horton The Scholar as Critic: Edward J. Dent
Karen Arrandale Russia and Eastern Europe
Philip Ross Bullock Anti
Intellectualism and the Rhetoric of 'National Character' in Music: The Vulgarity of Over
Refinement
Sarah Collins Chosen Causes: Writings on Music by Bernard van Dieren, Peter Warlock and Cecil Gray
Séamas de Barra 'Es klang so alt und war doch so neu': Vaughan Williams, Aesthetics and History
Aidan J. Thomson Constant Lambert: A Critic for Today? A Commentary on Music Ho!
Christopher Mark The Challenge to Goodwill: Herbert Howells, Alban Berg and 'The Modern Problem'
Jonathan Clinch Hans Keller: The Making of an 'Anti
Critic'
Select Bibliography
Introduction: Trends in British Musical Thought, 1850
1950
Jeremy Dibble and Julian Horton Avoiding 'Coarse Invective' and 'Unseemly Vehemence': English Music Criticism, 1850
1870
Peter Horton Spencer, Sympathy and the Oxford School of Music Criticism
Bennett Zon Free Thought and the Musician: Ernest Walker, the 'English Hanslick'
Jeremy Dibble Ernest Newman and the Promise of Method in Biography, Criticism and History
Paul Watt 'Making Symphony Articulate': Bernard Shaw's Sense of Music History
Harry White Analysis and Value Judgment: Schumann, Bruckner and Tovey's Essays in Musical Analysis
Julian Horton The Scholar as Critic: Edward J. Dent
Karen Arrandale Russia and Eastern Europe
Philip Ross Bullock Anti
Intellectualism and the Rhetoric of 'National Character' in Music: The Vulgarity of Over
Refinement
Sarah Collins Chosen Causes: Writings on Music by Bernard van Dieren, Peter Warlock and Cecil Gray
Séamas de Barra 'Es klang so alt und war doch so neu': Vaughan Williams, Aesthetics and History
Aidan J. Thomson Constant Lambert: A Critic for Today? A Commentary on Music Ho!
Christopher Mark The Challenge to Goodwill: Herbert Howells, Alban Berg and 'The Modern Problem'
Jonathan Clinch Hans Keller: The Making of an 'Anti
Critic'
Select Bibliography
1950
Jeremy Dibble and Julian Horton Avoiding 'Coarse Invective' and 'Unseemly Vehemence': English Music Criticism, 1850
1870
Peter Horton Spencer, Sympathy and the Oxford School of Music Criticism
Bennett Zon Free Thought and the Musician: Ernest Walker, the 'English Hanslick'
Jeremy Dibble Ernest Newman and the Promise of Method in Biography, Criticism and History
Paul Watt 'Making Symphony Articulate': Bernard Shaw's Sense of Music History
Harry White Analysis and Value Judgment: Schumann, Bruckner and Tovey's Essays in Musical Analysis
Julian Horton The Scholar as Critic: Edward J. Dent
Karen Arrandale Russia and Eastern Europe
Philip Ross Bullock Anti
Intellectualism and the Rhetoric of 'National Character' in Music: The Vulgarity of Over
Refinement
Sarah Collins Chosen Causes: Writings on Music by Bernard van Dieren, Peter Warlock and Cecil Gray
Séamas de Barra 'Es klang so alt und war doch so neu': Vaughan Williams, Aesthetics and History
Aidan J. Thomson Constant Lambert: A Critic for Today? A Commentary on Music Ho!
Christopher Mark The Challenge to Goodwill: Herbert Howells, Alban Berg and 'The Modern Problem'
Jonathan Clinch Hans Keller: The Making of an 'Anti
Critic'
Select Bibliography