This collection provides an in-depth look at musical criticism between the mid-nineteenth and the mid-twentieth century.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Introduction: Trends in British Musical Thought, 1850 1950 Jeremy Dibble and Julian Horton Avoiding 'Coarse Invective' and 'Unseemly Vehemence': English Music Criticism, 1850 1870 Peter Horton Spencer, Sympathy and the Oxford School of Music Criticism Bennett Zon Free Thought and the Musician: Ernest Walker, the 'English Hanslick' Jeremy Dibble Ernest Newman and the Promise of Method in Biography, Criticism and History Paul Watt 'Making Symphony Articulate': Bernard Shaw's Sense of Music History Harry White Analysis and Value Judgment: Schumann, Bruckner and Tovey's Essays in Musical Analysis Julian Horton The Scholar as Critic: Edward J. Dent Karen Arrandale Russia and Eastern Europe Philip Ross Bullock Anti Intellectualism and the Rhetoric of 'National Character' in Music: The Vulgarity of Over Refinement Sarah Collins Chosen Causes: Writings on Music by Bernard van Dieren, Peter Warlock and Cecil Gray Séamas de Barra 'Es klang so alt und war doch so neu': Vaughan Williams, Aesthetics and History Aidan J. Thomson Constant Lambert: A Critic for Today? A Commentary on Music Ho! Christopher Mark The Challenge to Goodwill: Herbert Howells, Alban Berg and 'The Modern Problem' Jonathan Clinch Hans Keller: The Making of an 'Anti Critic' Select Bibliography
Introduction: Trends in British Musical Thought, 1850 1950 Jeremy Dibble and Julian Horton Avoiding 'Coarse Invective' and 'Unseemly Vehemence': English Music Criticism, 1850 1870 Peter Horton Spencer, Sympathy and the Oxford School of Music Criticism Bennett Zon Free Thought and the Musician: Ernest Walker, the 'English Hanslick' Jeremy Dibble Ernest Newman and the Promise of Method in Biography, Criticism and History Paul Watt 'Making Symphony Articulate': Bernard Shaw's Sense of Music History Harry White Analysis and Value Judgment: Schumann, Bruckner and Tovey's Essays in Musical Analysis Julian Horton The Scholar as Critic: Edward J. Dent Karen Arrandale Russia and Eastern Europe Philip Ross Bullock Anti Intellectualism and the Rhetoric of 'National Character' in Music: The Vulgarity of Over Refinement Sarah Collins Chosen Causes: Writings on Music by Bernard van Dieren, Peter Warlock and Cecil Gray Séamas de Barra 'Es klang so alt und war doch so neu': Vaughan Williams, Aesthetics and History Aidan J. Thomson Constant Lambert: A Critic for Today? A Commentary on Music Ho! Christopher Mark The Challenge to Goodwill: Herbert Howells, Alban Berg and 'The Modern Problem' Jonathan Clinch Hans Keller: The Making of an 'Anti Critic' Select Bibliography
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