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The first in-depth historical analysis of British art music post-1945, providing a group-portrait of eleven composers ranging from avant-garde to pop.

Produktbeschreibung
The first in-depth historical analysis of British art music post-1945, providing a group-portrait of eleven composers ranging from avant-garde to pop.
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Autorenporträt
Philip Rupprecht is Associate Professor of Music at Duke University, North Carolina. He has published widely on twentieth-century British music and his books include Britten's Musical Language (Cambridge, 2002) and two edited volumes, Rethinking Britten (2013) and Tonality 1900¿1950: Concept and Practice (2012). He is also the recipient of fellowships from the National Endowment for the Humanities, the National Humanities Center, and the Wolfe Institute, Brooklyn College.