British rural landscapes on film
Herausgeber: Newland, Paul
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British rural landscapes on film
Herausgeber: Newland, Paul
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Offers insights into how rural areas in Britain have been represented on film, from the silent era, through both world wars, and on into the twenty-first century.
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Offers insights into how rural areas in Britain have been represented on film, from the silent era, through both world wars, and on into the twenty-first century.
Produktdetails
- Produktdetails
- Verlag: Manchester University Press
- Seitenzahl: 224
- Erscheinungstermin: 1. November 2019
- Englisch
- Abmessung: 234mm x 156mm x 12mm
- Gewicht: 348g
- ISBN-13: 9781526119865
- ISBN-10: 1526119862
- Artikelnr.: 56791616
- Verlag: Manchester University Press
- Seitenzahl: 224
- Erscheinungstermin: 1. November 2019
- Englisch
- Abmessung: 234mm x 156mm x 12mm
- Gewicht: 348g
- ISBN-13: 9781526119865
- ISBN-10: 1526119862
- Artikelnr.: 56791616
Paul Newland is REF Manager at Bath Spa University
Introduction: approaching British rural landscapes on film - Paul Newland 1
Silent landscapes: rural settings, national identity and British silent
cinema - Andrew Higson 2 British landscapes in pre-Second World War film
publicity - Paul Moody 3 Rural imagery in Second World War British cinema -
Tom Ryall 4 'An unlimited field for experiment': Britain's stereoscopic
landscapes - Keith M. Johnston 5 The figure (and disfigurement) in the
landscape: The Go-Between's picturesque - Mark Broughton 6 'Here is Wales,
there England': contested borders and blurred boundaries in On the Black
Hill - Kate Woodward 7 Where the land meets the sea: liminality, identity
and rural landscape in contemporary Scottish cinema - Duncan Petrie 8
Fantasy, fallacy and allusion: reconceptualising British landscapes through
the lens of children's cinema - Suzanne Speidel 9 Picturesque, pastoral and
dirty: uncivilised topographies in Jane Eyre and Wuthering Heights - Stella
Hockenhull 10 Folk horror and the contemporary cult of British rural
landscape: the case of Blood on Satan's Claw - Paul Newland 11 sleep
furiously: interview with Gideon Koppel - Paul Newland 12 Film and the
repossession of rural space: interview with Patrick Keiller - Paul Newland
Index
Silent landscapes: rural settings, national identity and British silent
cinema - Andrew Higson 2 British landscapes in pre-Second World War film
publicity - Paul Moody 3 Rural imagery in Second World War British cinema -
Tom Ryall 4 'An unlimited field for experiment': Britain's stereoscopic
landscapes - Keith M. Johnston 5 The figure (and disfigurement) in the
landscape: The Go-Between's picturesque - Mark Broughton 6 'Here is Wales,
there England': contested borders and blurred boundaries in On the Black
Hill - Kate Woodward 7 Where the land meets the sea: liminality, identity
and rural landscape in contemporary Scottish cinema - Duncan Petrie 8
Fantasy, fallacy and allusion: reconceptualising British landscapes through
the lens of children's cinema - Suzanne Speidel 9 Picturesque, pastoral and
dirty: uncivilised topographies in Jane Eyre and Wuthering Heights - Stella
Hockenhull 10 Folk horror and the contemporary cult of British rural
landscape: the case of Blood on Satan's Claw - Paul Newland 11 sleep
furiously: interview with Gideon Koppel - Paul Newland 12 Film and the
repossession of rural space: interview with Patrick Keiller - Paul Newland
Index
Introduction: approaching British rural landscapes on film - Paul Newland 1
Silent landscapes: rural settings, national identity and British silent
cinema - Andrew Higson 2 British landscapes in pre-Second World War film
publicity - Paul Moody 3 Rural imagery in Second World War British cinema -
Tom Ryall 4 'An unlimited field for experiment': Britain's stereoscopic
landscapes - Keith M. Johnston 5 The figure (and disfigurement) in the
landscape: The Go-Between's picturesque - Mark Broughton 6 'Here is Wales,
there England': contested borders and blurred boundaries in On the Black
Hill - Kate Woodward 7 Where the land meets the sea: liminality, identity
and rural landscape in contemporary Scottish cinema - Duncan Petrie 8
Fantasy, fallacy and allusion: reconceptualising British landscapes through
the lens of children's cinema - Suzanne Speidel 9 Picturesque, pastoral and
dirty: uncivilised topographies in Jane Eyre and Wuthering Heights - Stella
Hockenhull 10 Folk horror and the contemporary cult of British rural
landscape: the case of Blood on Satan's Claw - Paul Newland 11 sleep
furiously: interview with Gideon Koppel - Paul Newland 12 Film and the
repossession of rural space: interview with Patrick Keiller - Paul Newland
Index
Silent landscapes: rural settings, national identity and British silent
cinema - Andrew Higson 2 British landscapes in pre-Second World War film
publicity - Paul Moody 3 Rural imagery in Second World War British cinema -
Tom Ryall 4 'An unlimited field for experiment': Britain's stereoscopic
landscapes - Keith M. Johnston 5 The figure (and disfigurement) in the
landscape: The Go-Between's picturesque - Mark Broughton 6 'Here is Wales,
there England': contested borders and blurred boundaries in On the Black
Hill - Kate Woodward 7 Where the land meets the sea: liminality, identity
and rural landscape in contemporary Scottish cinema - Duncan Petrie 8
Fantasy, fallacy and allusion: reconceptualising British landscapes through
the lens of children's cinema - Suzanne Speidel 9 Picturesque, pastoral and
dirty: uncivilised topographies in Jane Eyre and Wuthering Heights - Stella
Hockenhull 10 Folk horror and the contemporary cult of British rural
landscape: the case of Blood on Satan's Claw - Paul Newland 11 sleep
furiously: interview with Gideon Koppel - Paul Newland 12 Film and the
repossession of rural space: interview with Patrick Keiller - Paul Newland
Index