Investigates cinematic qualities in opera and reveals why Benjamin Britten's operas lend themselves to TV and film interpretations.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
PETER AUKER has a Masters degree from the University of Sheffield, and subsequently graduated with a PhD in Music from the University of Nottingham.
Inhaltsangabe
Introduction 1. Britten and Film 2. Britten and 'Cinematic Opera' 3. Turning the Screw: Creating a Stage Opera 4. The Turn of the Screw from Stage to Screen: Peter Morley's Television Production 5. Analysing Opera on Screen 6. The Turn of the Screw under the Microscope: Examples from Screen Media Productions 7. Britten and TV Opera after The Turn of the Screw 8. Summary and Conclusions Appendix One: Glossary of Film Terms Appendix Two: Extract from The Turn of the Screw by Henry James, Chapters IV, V and VI (referred to in Chapter 3). Filmography Bibliography Index
Introduction 1. Britten and Film 2. Britten and 'Cinematic Opera' 3. Turning the Screw: Creating a Stage Opera 4. The Turn of the Screw from Stage to Screen: Peter Morley's Television Production 5. Analysing Opera on Screen 6. The Turn of the Screw under the Microscope: Examples from Screen Media Productions 7. Britten and TV Opera after The Turn of the Screw 8. Summary and Conclusions Appendix One: Glossary of Film Terms Appendix Two: Extract from The Turn of the Screw by Henry James, Chapters IV, V and VI (referred to in Chapter 3). Filmography Bibliography Index
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