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The uninterrupted energy of Rex Butters' remarkable style is clearly revealed in this collection. Seen in order of composition, the poems cast a pall on one another; like a slow-motion wrecking ball. They are not only works but also a work. Included here are poems from the midlife-volume of the Rex Butters brain. A collection of poems performed in venues and poetry stages, and from Butters' subsequent penning of new poetry: Broken Window Moonlight will bring you to calm and calamity, possibly define an America where dads are daddy-os and the slovenly rhyme will aggravate you into finger…mehr

Produktbeschreibung
The uninterrupted energy of Rex Butters' remarkable style is clearly revealed in this collection. Seen in order of composition, the poems cast a pall on one another; like a slow-motion wrecking ball. They are not only works but also a work. Included here are poems from the midlife-volume of the Rex Butters brain. A collection of poems performed in venues and poetry stages, and from Butters' subsequent penning of new poetry: Broken Window Moonlight will bring you to calm and calamity, possibly define an America where dads are daddy-os and the slovenly rhyme will aggravate you into finger snap-step-skip. Enriching this book is a title illustration by Vanessa Bay.
Autorenporträt
Damn these poems, humdrum in their depiction of relationships within the constructs of human relationships, families, friends, neighbors, strangers, himself-all 'Is it my turn now?' 20th/21st century music and media culture throws up a few lode points, Uber, Arizona, Ginsberg, travel, homecomings, James Brown, and sense will be made of it. A sense. Because these poems were not made to reflect or to forewarn, there is no hand at the cradle to offer comfort. A battle against the allegiances inherent in the language in Rex Butters' fight for his own behalf is the reader's gain. Could as well sum up this collection with the final 4 lines of "who'll be the first to try to sell the spot where he dropped?" -'this time, Cecil it's about you but you're not here to read it .' - Mende Smith / Emerald City Media