This book shines unprecedented light on the activity of talent representatives and production professionals in the American and French film and television industries. Empirically grounded contributions show the crucial impact of such entertainment professionals on the making of artistic careers and cultural products.
This book shines unprecedented light on the activity of talent representatives and production professionals in the American and French film and television industries. Empirically grounded contributions show the crucial impact of such entertainment professionals on the making of artistic careers and cultural products.
Violaine Roussel is professor of sociology at the University of Paris VIII. Denise Bielby is professor of sociology at the University of California, Santa Barbara.
Inhaltsangabe
Chapter 1: Introduction: Cultural Brokerage in the American and French Film and Television Industries, Violaine Roussel and Denise Bielby Part I. Agents, Agenting, Agencies Chapter 2: Twenty-Four Years of Agenting, Harry J. Ufland Chapter 3: Talent Agencies and the Market for Screenwriters: From the Origins of Packaging to Today's Transformations, Denise Bielby Chapter 4: The Talent Agent's Role in Producing Artists' Symbolic and Commercial Value in France, Delphine Naudier Chapter 5: The Market for Actresses: Gender, Reputation, and Intermediation in French Pornography, Mathieu Trachman Chapter 6: The Emergence of Hollywood Agents, Tom Kemper Chapter 7: "It's Not the Network: It's the Relationship": The Relational Work of Hollywood Talent Agents, Violaine Roussel Part II. Behind the Scenes of Production Chapter 8: The Choice between a Good Job and a Good Life, Bill Mechanic Chapter 9: The Importance of Being Ordinary: Brokering Talent in the New-TV Era, Laura Grindstaff and Vicki Mayer Chapter 10: "This Is the Girl": The Social Division of Recruitment in the French Film Industry, Vincent Cardon Chapter 11: Film Offices as Brokers: Cultivating and Connecting Local Talent to Hollywood, Candace Jones and Pacey Foster Chapter 12: Overlapping Temporalities in Project-Based Work: The Case of Independent Producers in the French Movie Industry, Laure de Verdalle
Chapter 1: Introduction: Cultural Brokerage in the American and French Film and Television Industries, Violaine Roussel and Denise Bielby Part I. Agents, Agenting, Agencies Chapter 2: Twenty-Four Years of Agenting, Harry J. Ufland Chapter 3: Talent Agencies and the Market for Screenwriters: From the Origins of Packaging to Today's Transformations, Denise Bielby Chapter 4: The Talent Agent's Role in Producing Artists' Symbolic and Commercial Value in France, Delphine Naudier Chapter 5: The Market for Actresses: Gender, Reputation, and Intermediation in French Pornography, Mathieu Trachman Chapter 6: The Emergence of Hollywood Agents, Tom Kemper Chapter 7: "It's Not the Network: It's the Relationship": The Relational Work of Hollywood Talent Agents, Violaine Roussel Part II. Behind the Scenes of Production Chapter 8: The Choice between a Good Job and a Good Life, Bill Mechanic Chapter 9: The Importance of Being Ordinary: Brokering Talent in the New-TV Era, Laura Grindstaff and Vicki Mayer Chapter 10: "This Is the Girl": The Social Division of Recruitment in the French Film Industry, Vincent Cardon Chapter 11: Film Offices as Brokers: Cultivating and Connecting Local Talent to Hollywood, Candace Jones and Pacey Foster Chapter 12: Overlapping Temporalities in Project-Based Work: The Case of Independent Producers in the French Movie Industry, Laure de Verdalle
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