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This collection engages Springsteen and popular music as his contemporary work is just beginning to be understood in terms of its impact on popular culture and music. Chapters primarily consider work released since 9/11 under the headings Politics, Fear and Society; Gender and Sexual Identity; and Toward a Rhetoric of Springsteen. Offering context, critique, and expansive understanding of Springsteen and his work, this book contributes to Springsteen scholarship and the study of popular music by showing Springsteen's broadening academic appeal as well as his escalating legacy on new musicians, social consciousness, and contemporary culture.…mehr

Produktbeschreibung
This collection engages Springsteen and popular music as his contemporary work is just beginning to be understood in terms of its impact on popular culture and music. Chapters primarily consider work released since 9/11 under the headings Politics, Fear and Society; Gender and Sexual Identity; and Toward a Rhetoric of Springsteen. Offering context, critique, and expansive understanding of Springsteen and his work, this book contributes to Springsteen scholarship and the study of popular music by showing Springsteen's broadening academic appeal as well as his escalating legacy on new musicians, social consciousness, and contemporary culture.
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Autorenporträt
William I. Wolff is an assistant professor of communication studies and digital media at Saint Joseph's University where he teaches courses on participatory culture, nonprofit communications, and digital storytelling. His work has appeared in Kairos: A Journal of Rhetoric, Technology, and Pedagogy; Transformative Works and Cultures; Technical Writing Quarterly and Computers & Composition.