20,99 €
inkl. MwSt.

Versandfertig in über 4 Wochen
  • Broschiertes Buch

Today's artists and art lovers who adhere to a traditional view of art are virtually submerged in the tsunami of anti-traditional work and supporting critical spin generated by the contemporary artworld. Bucking the Artworld Tide---comprising more than three decades of the author's contrarian writing and speaking---is written from their perspective. It offers a solid defense of traditional visual art, as well as trenchant critiques of countless "new art forms" invented since the early 20th century and of the flawed theoretical assumptions behind them. A key part of the volume constitutes a…mehr

Produktbeschreibung
Today's artists and art lovers who adhere to a traditional view of art are virtually submerged in the tsunami of anti-traditional work and supporting critical spin generated by the contemporary artworld. Bucking the Artworld Tide---comprising more than three decades of the author's contrarian writing and speaking---is written from their perspective. It offers a solid defense of traditional visual art, as well as trenchant critiques of countless "new art forms" invented since the early 20th century and of the flawed theoretical assumptions behind them. A key part of the volume constitutes a critique of K-12 art education, which has all too readily adopted the contemporary artworld's anti-traditional mindset.
Autorenporträt
Michelle Marder Kamhi is an independent scholar and critic and co-editor of Aristos (an online review of the arts). She is the author of Who Says That's Art? A Commonsense View of the Visual Arts-lauded by Kirkus Reviews as "forceful and persuasive."Kamhi previously co-authored What Art Is: The Esthetic Theory of Ayn Rand (Open Court, 2000), which dealt with all the major arts and was praised by the American Library Association's Choice magazine for its "well-documented . . . debunking of twentieth-century art . . . and art theory."After graduating from Barnard College, Kamhi earned an M.A. in Art History at Hunter College of the City University of New York. Before joining Aristos in 1984, she had been an editor at Columbia University Press--where she worked on titles in its distinguished Records of Civilization series--and was active as a freelance writer and editor.Kamhi is a member of the American Society for Aesthetics, the National Art Education Association, the National Association of Scholars, and AICA-USA (the International Association of Art Critics - United States). Articles by her have appeared in the Wall Street Journal, Art Education, Arts Education Policy Review, and Epoch Times, among other publications.