- Gebundenes Buch
- Merkliste
- Auf die Merkliste
- Bewerten Bewerten
- Teilen
- Produkt teilen
- Produkterinnerung
- Produkterinnerung
Building a Performance provides a clear step-by-step system for actors through all stages of the rehearsal process. It enables actors to make more dynamic choices, craft complex characters with rich behavior, and find engaging and powerful levels of performance.
Andere Kunden interessierten sich auch für
- John BasilBuilding a Performance40,99 €
- Kenneth L. StilsonActing Is Believing125,99 €
- Linda GatesVoice for Performance39,99 €
- Building Embodiment194,99 €
- Sam MaloneAn Actor's Method to Building the Character of Hamlet53,99 €
- John GielgudActing Shakespeare19,99 €
- Richard HornbyScript into Performance17,99 €
-
-
-
Building a Performance provides a clear step-by-step system for actors through all stages of the rehearsal process. It enables actors to make more dynamic choices, craft complex characters with rich behavior, and find engaging and powerful levels of performance.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Rowman & Littlefield Publishers
- Seitenzahl: 226
- Erscheinungstermin: 17. März 2022
- Englisch
- Abmessung: 235mm x 157mm x 18mm
- Gewicht: 524g
- ISBN-13: 9781538161302
- ISBN-10: 1538161303
- Artikelnr.: 62553154
- Verlag: Rowman & Littlefield Publishers
- Seitenzahl: 226
- Erscheinungstermin: 17. März 2022
- Englisch
- Abmessung: 235mm x 157mm x 18mm
- Gewicht: 524g
- ISBN-13: 9781538161302
- ISBN-10: 1538161303
- Artikelnr.: 62553154
John Basil was a founding member and the producing artistic director of American Globe Theatre for 25 years, the longest running off-off Broadway theatre in midtown Manhattan. He has directed over 50 productions for the theatre and has also directed five seasons of opera at Sarasota Opera. Basil is the author of the popular and practical book WILL POWER: How to Act Shakespeare in 21 Days. Additionally, his Playing Shakespeare series continues to enlighten and inspire actors across the nation. Basil is an associate professor of theatre arts at Marymount Manhattan College. He has also worked in television as a director for NBC's Another World. Basil was recognized by The National Foundation for Advancement in the Arts and was awarded the Iben Lectureship for Shakespeare. His website is www.johnbasil.com. Dennis Schebetta is an actor, director, and writer in film and theater. He teaches at Skidmore College and continues to work professionally as an actor and director, most recently with the Saratoga Shakespeare Company and Northeast Theatre Ensemble. His professional acting credits include Ensemble Studio Theater, Vital Theater, Pulse Ensemble Theater, Genesius Guild Theater, Northeast Theatre Ensemble, Pittsburgh Playhouse, The Hiawatha Project and Off the Wall Theater. As a theatre director, he has directed productions off-off Broadway at Ensemble Studio Theatre, 29th Street Rep, and Brass Tacks Theatre. As a film director and award-winning writer, his short film My Date with Adam has been an official selection of several international film festivals. His numerous plays have been produced and performed across the country, as well as internationally. His website is www.dennischebetta.com.
Acknowledgements
Introduction
Part I: Laying the Foundation - Steps Before First Rehearsal
Chapter 1: Reading the Blueprint
Chapter 2: Building the Scaffolding
Chapter 3: Constructing a Shell
Chapter 4: Brick by Brick: Three Types of Languages
Part II: Building the Role - Steps for Early Rehearsal
Chapter 5: Building with Others
Chapter 6: Building Habits
Chapter 7: Building Your Character
Part III: Making It Your Own - Steps for Final Rehearsal
Chapter 8: Building Dynamics with Textual Clues
Chapter 9: Interior Fittings: Building Emotional and Verbal Dynamics
Chapter 10: Building with Care and Consent: Fights, Extreme Physicality &
Intimacy
Chapter 11: Exterior Fittings and Final Touches - The Technical Rehearsal
Part IV: Other Models of Construction
Chapter 12: When There's No Blueprint: Devising, Physical Theater &
Ensemble Plays
Chapter 13: New Construction: Rehearsing the New Play
Chapter 14: The Fast Build: Rehearsing Film, TV and other Media
Chapter 15: Moving In: Common Notes from Directors
Conclusion: Moving On
Appendix 1: Recommended Play Reading List
Appendix 2: Recommended Reading & Resources
Bibliography
Notes
Index
About the Authors
Introduction
Part I: Laying the Foundation - Steps Before First Rehearsal
Chapter 1: Reading the Blueprint
Chapter 2: Building the Scaffolding
Chapter 3: Constructing a Shell
Chapter 4: Brick by Brick: Three Types of Languages
Part II: Building the Role - Steps for Early Rehearsal
Chapter 5: Building with Others
Chapter 6: Building Habits
Chapter 7: Building Your Character
Part III: Making It Your Own - Steps for Final Rehearsal
Chapter 8: Building Dynamics with Textual Clues
Chapter 9: Interior Fittings: Building Emotional and Verbal Dynamics
Chapter 10: Building with Care and Consent: Fights, Extreme Physicality &
Intimacy
Chapter 11: Exterior Fittings and Final Touches - The Technical Rehearsal
Part IV: Other Models of Construction
Chapter 12: When There's No Blueprint: Devising, Physical Theater &
Ensemble Plays
Chapter 13: New Construction: Rehearsing the New Play
Chapter 14: The Fast Build: Rehearsing Film, TV and other Media
Chapter 15: Moving In: Common Notes from Directors
Conclusion: Moving On
Appendix 1: Recommended Play Reading List
Appendix 2: Recommended Reading & Resources
Bibliography
Notes
Index
About the Authors
Acknowledgements
Introduction
Part I: Laying the Foundation - Steps Before First Rehearsal
Chapter 1: Reading the Blueprint
Chapter 2: Building the Scaffolding
Chapter 3: Constructing a Shell
Chapter 4: Brick by Brick: Three Types of Languages
Part II: Building the Role - Steps for Early Rehearsal
Chapter 5: Building with Others
Chapter 6: Building Habits
Chapter 7: Building Your Character
Part III: Making It Your Own - Steps for Final Rehearsal
Chapter 8: Building Dynamics with Textual Clues
Chapter 9: Interior Fittings: Building Emotional and Verbal Dynamics
Chapter 10: Building with Care and Consent: Fights, Extreme Physicality &
Intimacy
Chapter 11: Exterior Fittings and Final Touches - The Technical Rehearsal
Part IV: Other Models of Construction
Chapter 12: When There's No Blueprint: Devising, Physical Theater &
Ensemble Plays
Chapter 13: New Construction: Rehearsing the New Play
Chapter 14: The Fast Build: Rehearsing Film, TV and other Media
Chapter 15: Moving In: Common Notes from Directors
Conclusion: Moving On
Appendix 1: Recommended Play Reading List
Appendix 2: Recommended Reading & Resources
Bibliography
Notes
Index
About the Authors
Introduction
Part I: Laying the Foundation - Steps Before First Rehearsal
Chapter 1: Reading the Blueprint
Chapter 2: Building the Scaffolding
Chapter 3: Constructing a Shell
Chapter 4: Brick by Brick: Three Types of Languages
Part II: Building the Role - Steps for Early Rehearsal
Chapter 5: Building with Others
Chapter 6: Building Habits
Chapter 7: Building Your Character
Part III: Making It Your Own - Steps for Final Rehearsal
Chapter 8: Building Dynamics with Textual Clues
Chapter 9: Interior Fittings: Building Emotional and Verbal Dynamics
Chapter 10: Building with Care and Consent: Fights, Extreme Physicality &
Intimacy
Chapter 11: Exterior Fittings and Final Touches - The Technical Rehearsal
Part IV: Other Models of Construction
Chapter 12: When There's No Blueprint: Devising, Physical Theater &
Ensemble Plays
Chapter 13: New Construction: Rehearsing the New Play
Chapter 14: The Fast Build: Rehearsing Film, TV and other Media
Chapter 15: Moving In: Common Notes from Directors
Conclusion: Moving On
Appendix 1: Recommended Play Reading List
Appendix 2: Recommended Reading & Resources
Bibliography
Notes
Index
About the Authors